前卫民族乐队早期发展阶段研究（1956-1966）

发布时间：2018-11-22 15:15

【摘要】：前卫民族乐队,正式成立于1956年秋,它是中华人民共和国建国初期具有代表性的民族管弦乐队之一,同时也是当时山东地区最有影响力的民族管弦乐队。前卫民族乐队的发展分为早期(1956-1965年的雏形、发展辉煌期)、中期(1966-1976年的“文革”停滞期)、后期(1977年至今的改革开放后的恢复再发展期)这三个阶段。本文主要以前卫民族乐队的早期,即1956至1966年的发展为对象进行研究。全文共分四个章节。第一章,运用口述史料与文字史料结合的方法,客观、全面的将前卫民族乐队雏形的产生、调入济南始末、早期发展等历史进行梳理、考证。并对“文革”时期及其之后的发展进行概括论述。第二章,较为全面的再现前卫民族乐队早期的音乐创作,探究其音乐创作成就突出的原因。通过对乐队早期三部代表性民族管弦乐作品的本体分析,总结其早期民族管弦乐作品的艺术特征。第三章,对前卫民族乐队早期的乐队编制演进系统梳理。全面、详实的探究乐队早期乐器改革的面貌,并结合文化学、历史学等角度进一步阐述改革成功乐器的历史意义,探讨它们的产生与齐鲁传统音乐文化之间的关系。第四章,通过音乐学分析的方法,对前卫民族乐队早期取得的艺术成就进行概括梳理,同时探寻这一文化现象产生的根源。文章结语部分,提出前卫民族乐队早期的发展和艺术成就与齐鲁传统音乐文化有着密切的联系,她是山东地区新型民族管弦乐的突出代表,是我国民族乐器改革发展史上的突出代表。并进一步阐述自己的一些观点。
[Abstract]:The avant-garde national band, which was formally established in the autumn of 1956, is one of the representative national orchestras in the early years of the founding of the people's Republic of China, and also the most influential national orchestra in Shandong at that time. The development of the avant-garde national band can be divided into three stages: the early stage (the embryonic form of 1956-1965, the glorious period), the middle period (the "Cultural Revolution" stasis period of 1966-1976), and the late stage (the period of recovery and re-development after the reform and opening up since 1977). This paper mainly focuses on the development of avant-garde national band from 1956 to 1966. The full text is divided into four chapters. The first chapter, the use of oral historical data and the method of combining the historical materials, objective, comprehensive generation of avant-garde national band, into Jinan, the early development of the history of combing, textual research. And the period of the Cultural Revolution and its development after the general discussion. The second chapter, more comprehensive reproduction avant-garde national band early music creation, explores its music creation achievement outstanding reason. Through the Noumenon analysis of the three representative national orchestral works in the early period of the band, the artistic features of their early national orchestral works are summarized. The third chapter, combed the early evolution system of the avant-garde national band. Comprehensive and detailed exploration of the band's early musical instrument reform, combined with cultural, historical and other perspectives to further explain the historical significance of the successful reform of musical instruments, to explore their emergence and Qilu traditional music culture relationship. The fourth chapter, through the method of musicology analysis, summarizes the early artistic achievements of the avant-garde national band, and explores the root of this cultural phenomenon. In the conclusion of the article, it is pointed out that the early development and artistic achievement of the avant-garde national band are closely related to the traditional music culture of Qilu, and she is a prominent representative of the new national orchestral music in Shandong. Is our country national musical instrument reform development history prominent representative. And further elaborate some of his views.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.61-2

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