马勒《C小调第二交响曲》（“复活”）研究
发布时间：2019-01-06 07:53
【摘要】：奥地利作曲家古斯塔夫·马勒是晚期浪漫主义伟大的指挥家、作曲家,但他的音乐作品在他所处的19世纪末20世纪初一直是备受争议的,自上世纪60年代起,他的音乐作品演出和学术研究才开始逐渐受到重视,掀起了马勒复兴的浪潮。马勒音乐中反讽、无奈、怀疑、焦虑和悲剧主义等情愫,以及对"生死"以及人类终极问题的追问,与世纪末的社会、历史语境相关联,他被看做是连接德奥音乐的核心传统与二十世纪初的各种新风尚的桥梁。本文以马勒的《C小调第二交响曲》("复活")为研究对象,属于历史音乐学学科(西方音乐研究方向),以音乐史学研究为基础,并运用音乐作品分析、音乐美学、哲学等学科研究方法。本文着重揭示这部作品的创作特色、艺术构思和立意,并探讨这部交响曲所体现出的马勒的生死观和哲学思想,以及马勒的交响曲在音乐史上的特殊重要地位。本文共分为三章。第一章从思想背景方面论述了叔本华、尼采的哲学思想和基督教文化对马勒和他的《第二交响曲》创作的影响;其次,将探讨"泰坦"和"复活"这两部交响曲之间的关系,第三,通过对马勒艺术歌曲与交响曲的体裁渗透性,以及"魔号三部曲"的艺术特征的探究,来论述马勒对两种体裁的特殊审美情趣,最后还将详述《第二交响曲》的创作始末和马勒的交响曲理念,凸显《第二交响曲》的重要性和特殊性。第二章笔者主要通过主题构建与乐思发展、复调技法研究、末乐章诗词和宗教内涵解读等方面,来探寻《第二交响曲》中马勒对生死永恒问题的思考,揭示立意的实现方式。这部五乐章交响曲,从结构、调性布局,以及所暗示的标题性情节——从葬礼到复活的过程,呈现出对称性结构,这种对称性布局方式与马勒所要表现的生死轮回的精神内涵相关联,整个作品经历了 "葬礼——思考与过渡——复活"这样一个"由死到生"的过程。因此,在第二章的论述中,笔者总体上将五个乐章看做三个部分来进行诠释,文章的写作分为三节。第三章总结马勒《C小调第二交响曲》("复活")的精神内涵及历史地位,首先横向对比与马勒同时期的三位作曲家,对瓦格纳的"惩罚与救赎",布鲁克纳虔诚而独特的宗教情怀,理查德·施特劳斯与尼采"超人"思想的共鸣进行了论述,目的在于凸显马勒对于人类终极问题的不同理解;其次将纵向分析马勒的交响之路,十部交响曲创作表现出来的技法和思想上的变化,凸显《第二交响曲》在马勒交响创作历程中的特殊地位;最后通过马勒第二交响曲的创作来论述马勒对后世的影响。
[Abstract]:The Austrian composer Gustav Mahler was a great conductor and composer of late romanticism, but his music was controversial in his late 19th century and early 20th century, since the 1960s. His musical performance and academic research began to receive attention gradually, which set off the wave of Mahler's revival. The feelings of irony, helplessness, doubt, anxiety and tragedy in Mahler's music, as well as the question of "life and death" and the ultimate problems of mankind, are related to the social and historical context of the end of the century. He was seen as a bridge between the core traditions of German and Austrian music and the new fashions of the early twentieth century. This paper takes Mahler's Symphony No. 2 in C minor (Resurrection) as the object of study, belongs to the discipline of historical musicology (the direction of western music research), based on the study of musicology, and applies the analysis of music works and music aesthetics. Philosophy and other disciplines of research methods. This paper mainly reveals the creative characteristics, artistic conception and idea of this work, and discusses the life and death view and philosophy thought embodied in this symphony, as well as the special important position of Mahler's symphony in the history of music. This paper is divided into three chapters. The first chapter discusses the influence of Schopenhauer Nietzsche's philosophy and Christian culture on Mahler and his second Symphony from the perspective of ideological background. Secondly, the relationship between the two symphonies, Titan and Resurrection, will be discussed. Thirdly, the permeation of the genre of Mahler's art songs and symphonies, as well as the artistic characteristics of the Magic Trilogy, will be explored. This paper discusses the special aesthetic interest of Mahler to two genres, and at last will expound the creation of the second Symphony and the idea of Mahler's Symphony, which highlights the importance and particularity of the second Symphony. In the second chapter, the author explores Mahler's thoughts on the eternal question of life and death in Symphony II through the study of theme construction and the development of music, the study of polyphonic techniques, the interpretation of poems and religious connotations in the final movement, and reveals the way to realize the meaning. This five-movement symphony, from the structure, the tonal layout, and the implied title plot, from the funeral to the resurrection, takes on a symmetrical structure. This symmetrical layout is related to the spiritual connotation of the cycle of life and death that Mahler wants to perform. The whole work has gone through the process of "funeral-thinking and transition-resurrection", which is "from death to life". Therefore, in the second chapter, the author generally interprets the five movements as three parts, and the writing of the article is divided into three sections. The third chapter summarizes the spiritual connotation and historical status of Mahler's Symphony No. 2 in C minor (Resurrection). Bruckner's religious feelings are pious and unique. Richard Strauss and Nietzsche's thoughts of "Superman" resonate with each other in order to highlight the different understandings of Mahler's ultimate human problems. Secondly, it analyzes the symphonic road of Mahler and the changes of techniques and ideas in the creation of ten symphonies, highlighting the special position of the second Symphony in the course of his symphonic creation. Finally, the influence of Mahler on later generations is discussed through the creation of the second Symphony of Mahler.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
本文编号：2402547
[Abstract]:The Austrian composer Gustav Mahler was a great conductor and composer of late romanticism, but his music was controversial in his late 19th century and early 20th century, since the 1960s. His musical performance and academic research began to receive attention gradually, which set off the wave of Mahler's revival. The feelings of irony, helplessness, doubt, anxiety and tragedy in Mahler's music, as well as the question of "life and death" and the ultimate problems of mankind, are related to the social and historical context of the end of the century. He was seen as a bridge between the core traditions of German and Austrian music and the new fashions of the early twentieth century. This paper takes Mahler's Symphony No. 2 in C minor (Resurrection) as the object of study, belongs to the discipline of historical musicology (the direction of western music research), based on the study of musicology, and applies the analysis of music works and music aesthetics. Philosophy and other disciplines of research methods. This paper mainly reveals the creative characteristics, artistic conception and idea of this work, and discusses the life and death view and philosophy thought embodied in this symphony, as well as the special important position of Mahler's symphony in the history of music. This paper is divided into three chapters. The first chapter discusses the influence of Schopenhauer Nietzsche's philosophy and Christian culture on Mahler and his second Symphony from the perspective of ideological background. Secondly, the relationship between the two symphonies, Titan and Resurrection, will be discussed. Thirdly, the permeation of the genre of Mahler's art songs and symphonies, as well as the artistic characteristics of the Magic Trilogy, will be explored. This paper discusses the special aesthetic interest of Mahler to two genres, and at last will expound the creation of the second Symphony and the idea of Mahler's Symphony, which highlights the importance and particularity of the second Symphony. In the second chapter, the author explores Mahler's thoughts on the eternal question of life and death in Symphony II through the study of theme construction and the development of music, the study of polyphonic techniques, the interpretation of poems and religious connotations in the final movement, and reveals the way to realize the meaning. This five-movement symphony, from the structure, the tonal layout, and the implied title plot, from the funeral to the resurrection, takes on a symmetrical structure. This symmetrical layout is related to the spiritual connotation of the cycle of life and death that Mahler wants to perform. The whole work has gone through the process of "funeral-thinking and transition-resurrection", which is "from death to life". Therefore, in the second chapter, the author generally interprets the five movements as three parts, and the writing of the article is divided into three sections. The third chapter summarizes the spiritual connotation and historical status of Mahler's Symphony No. 2 in C minor (Resurrection). Bruckner's religious feelings are pious and unique. Richard Strauss and Nietzsche's thoughts of "Superman" resonate with each other in order to highlight the different understandings of Mahler's ultimate human problems. Secondly, it analyzes the symphonic road of Mahler and the changes of techniques and ideas in the creation of ten symphonies, highlighting the special position of the second Symphony in the course of his symphonic creation. Finally, the influence of Mahler on later generations is discussed through the creation of the second Symphony of Mahler.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
【参考文献】
相关硕士学位论文 前1条
1 朱连理;从马勒的交响作品看西方音乐中的“死亡”母题[D];上海音乐学院;2009年
，本文编号：2402547
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