浅析贝多芬第三大提琴奏鸣曲与肖斯塔科维奇d小调大提琴奏鸣曲演奏技巧之异同
发布时间:2019-01-08 08:00
【摘要】:本文运用比较的方法对贝多芬的《A大调大提琴与钢琴第三奏鸣曲》和肖斯塔科维奇的《d小调大提琴与钢琴奏鸣曲》的演奏技巧进行了对比分析。整篇文章分为绪论、正文、结语三部分。绪论包括研究缘由和研究现状两部分。正文的前两部分主要阐述了两位作曲家的生平与创作概况以及两首作品的创作背景,第三部分则主要从音乐的颗粒型,右手的运弓,旋律走向和演奏符号几个方面着手,通过谱例分析来比较两首作品的演奏技巧。结论主要归纳总结全文,并且对未来进行展望。
[Abstract]:In this paper, the performance skills of Beethoven's third Sonata for Cello and Piano in A Major and Shostakovich's Sonata for Cello and Piano in D minor are compared and analyzed by means of comparison. The whole article is divided into three parts: introduction, text and conclusion. The introduction includes two parts: the reason of the research and the present situation of the research. The first two parts of the text mainly describe the life and creation of the two composers, as well as the creation background of the two works. The performance skills of the two pieces are compared by the analysis of spectrum examples. Conclusion the full text is summarized and the future is prospected.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J622.3
本文编号:2404326
[Abstract]:In this paper, the performance skills of Beethoven's third Sonata for Cello and Piano in A Major and Shostakovich's Sonata for Cello and Piano in D minor are compared and analyzed by means of comparison. The whole article is divided into three parts: introduction, text and conclusion. The introduction includes two parts: the reason of the research and the present situation of the research. The first two parts of the text mainly describe the life and creation of the two composers, as well as the creation background of the two works. The performance skills of the two pieces are compared by the analysis of spectrum examples. Conclusion the full text is summarized and the future is prospected.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J622.3
【参考文献】
相关硕士学位论文 前3条
1 李依桐;贝多芬《钢琴与大提琴奏鸣曲opus.69》演奏探析[D];中央音乐学院;2016年
2 宫笑;贝多芬与肖斯塔科维奇两首大提琴奏鸣曲演奏技法之比较[D];天津音乐学院;2013年
3 焦浩;浅析《贝多芬第三钢琴与大提琴奏鸣曲Opus.69》[D];上海音乐学院;2013年
,本文编号:2404326
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