智化寺京音乐四调名义考
发布时间：2019-01-28 13:46
【摘要】：正智化寺京音乐是我国北方佛教音乐的重要组成部分,其音乐渊源深厚、传承有序,有五百七十多年历史,今已传至第27代。作为明英宗宠信太监王振的家庙用乐,智化寺音乐诞生之时便与明代宫廷礼仪用乐密切相关,一些曲牌甚至可上溯至唐宋时代,较多地保存了唐宋以来古代音乐的历史信息,有着中国古代音乐"活化石"的美誉。据1953年杨荫浏等人对智化寺京音乐的调查,该寺音乐的常用调名有四个,依照僧人们自己的称呼,分别是"正调、
[Abstract]:Zhengzhihua Temple Music is an important part of Buddhist music in the north of China. Its music has a deep origin and an orderly heritage. It has a history of more than 570 years and has been handed down to the 27th generation. As the home music of Wang Zhen, the favorite eunuch of Ming Dynasty, when the music of Zhihua Temple was born, it was closely related to the music of court etiquette in the Ming Dynasty. Some pieces of music can even be traced back to the Tang and Song dynasties, thus preserving the historical information of ancient music since the Tang and Song dynasties. It has the reputation of "living fossil" in ancient Chinese music. According to a 1953 survey by Yang Yin-liu and others on the music of the Zhihua Temple, there are four commonly used dialogs of the temple's music, which, according to the monks' own names, are respectively "positive tune".
【作者单位】： 中国艺术研究院音乐研究所北京民族音乐研究与传播基地;
【基金】：2010年度国家社会科学基金艺术学项目“宋以来宫调理论变迁及其与音乐实践的关系”(课题编号:10CD082)阶段成果
【分类号】：J609.2
本文编号：2417121
[Abstract]:Zhengzhihua Temple Music is an important part of Buddhist music in the north of China. Its music has a deep origin and an orderly heritage. It has a history of more than 570 years and has been handed down to the 27th generation. As the home music of Wang Zhen, the favorite eunuch of Ming Dynasty, when the music of Zhihua Temple was born, it was closely related to the music of court etiquette in the Ming Dynasty. Some pieces of music can even be traced back to the Tang and Song dynasties, thus preserving the historical information of ancient music since the Tang and Song dynasties. It has the reputation of "living fossil" in ancient Chinese music. According to a 1953 survey by Yang Yin-liu and others on the music of the Zhihua Temple, there are four commonly used dialogs of the temple's music, which, according to the monks' own names, are respectively "positive tune".
【作者单位】： 中国艺术研究院音乐研究所北京民族音乐研究与传播基地;
【基金】：2010年度国家社会科学基金艺术学项目“宋以来宫调理论变迁及其与音乐实践的关系”(课题编号:10CD082)阶段成果
【分类号】：J609.2
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