肖斯塔科维奇钢琴前奏曲和声技法研究
发布时间：2019-01-30 14:24
【摘要】：肖斯塔科维奇是苏联时期著名的作曲家、社会活动家。他将古典作曲技法巧妙地运用于作曲中,并将传统作曲技法发扬光大。在此基础上,他更是善于将半音化以及具有新色彩的和声技法融入到创作中,这不仅在其交响音乐创作中经常体现,而且在其钢琴前奏曲作品中也经常会运用此类作曲技法。本文将肖斯塔科维奇的钢琴前奏曲作品作为研究前提,将以和声语言以及调式的运用作为研究的出发点,对肖斯塔科维奇的和声技巧运用进行了研究。通过对其创作手法深入细致地分析,总结其创作风格的特征,为研究肖斯塔科维奇和声运用打下了基础。本文主要分为四个部分展开论述:第一部分主要概述肖斯塔科维奇生平及其钢琴创作,对他在不同时期创作的作品进行梳理。第二部分对肖斯塔科维奇钢琴前奏曲的调式运用进行研究。通过对其钢琴前奏曲作品中的调式运用特点的分析,总结其调式运用的三种形态,即同中音大小调综合运用,同主音大小调综合运用以及同名调综合运用。第三部分是对肖斯塔科维奇钢琴前奏曲中的和声语言进行了细致的研究,着重对其和声进行、和弦结构等特点进行研究。第四部分基于前文研究,对肖斯塔科维奇钢琴前奏曲的和声技法运用特点以及对后世创作的影响进行分析。
[Abstract]:Shostakovich was a famous Soviet composer and social activist. He skillfully applied classical composition techniques to composition, and carried forward the traditional composing techniques. On this basis, he is more adept at integrating the semitone and the harmony technique with new color into his creation, which is often reflected not only in his symphony creation, but also in his piano prelude works. In this paper, Shostakovich's piano prelude works are taken as the premise of the research, and the use of harmony language and mode as the starting point of the study, and the application of Shostakovich's harmony technique is studied. Through the thorough and meticulous analysis of his creative techniques, the characteristics of his creative style are summarized, which lays a foundation for the study of the use of Shostakovich's harmony. This paper is divided into four parts: the first part mainly summarizes the life of Shostakovich and his piano creation, combing his works in different periods. The second part of the Shostakovich Piano Prelude of the application of the mode. Based on the analysis of the characteristics of the mode application in his piano prelude works, this paper summarizes the three forms of the mode application, that is, the comprehensive use of the same medium major minor major, the same main big minor major and the same title tone. The third part is a careful study of the harmony language in Shostakovich's piano prelude, focusing on its harmony, chord structure and other characteristics. The fourth part, based on the previous study, analyzes the application characteristics of Shostakovich piano prelude and its influence on later generations.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
[Abstract]:Shostakovich was a famous Soviet composer and social activist. He skillfully applied classical composition techniques to composition, and carried forward the traditional composing techniques. On this basis, he is more adept at integrating the semitone and the harmony technique with new color into his creation, which is often reflected not only in his symphony creation, but also in his piano prelude works. In this paper, Shostakovich's piano prelude works are taken as the premise of the research, and the use of harmony language and mode as the starting point of the study, and the application of Shostakovich's harmony technique is studied. Through the thorough and meticulous analysis of his creative techniques, the characteristics of his creative style are summarized, which lays a foundation for the study of the use of Shostakovich's harmony. This paper is divided into four parts: the first part mainly summarizes the life of Shostakovich and his piano creation, combing his works in different periods. The second part of the Shostakovich Piano Prelude of the application of the mode. Based on the analysis of the characteristics of the mode application in his piano prelude works, this paper summarizes the three forms of the mode application, that is, the comprehensive use of the same medium major minor major, the same main big minor major and the same title tone. The third part is a careful study of the harmony language in Shostakovich's piano prelude, focusing on its harmony, chord structure and other characteristics. The fourth part, based on the previous study, analyzes the application characteristics of Shostakovich piano prelude and its influence on later generations.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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