肖斯塔科维奇赋格中密接和应的演奏速度研究
发布时间：2019-02-09 12:33
【摘要】：德米特里·德米特里耶维奇·肖斯塔科维奇(Dimitri.Dmitriyevich.Shostakovich)是前苏联时期最重要的作曲家之一,也是20世纪最伟大的作曲家之一,并被后人誉为是“20世纪的贝多芬”。所创作的音乐作品体裁涉及广泛,其中钢琴作品也是他创作的重要构成部分。肖斯塔科维奇的钢琴作品《24首前奏曲与赋格》与巴赫的《平均律钢琴曲集》同被誉为复调音乐的巅峰之作。《24首前奏曲与赋格》是肖斯塔科维奇为了表达对巴赫的敬意而创作,所以作品中继承了巴赫《平均律钢琴曲集》的创作模式与技巧基础,但更多的还是揉进了当时时代、民族、个人风格的复调音乐新风格。在这部作品中,肖斯塔科维奇对其内容、节奏、调性思维方式、曲式结构等方面都进行了积极地探索与创新。其中以密接和应写成的赋格再现部的创新尤为突出,并且在24首赋格中都有密接和应的这个写作技法,所以也使得密接和应的这个技法获得了巨大的生命力,并且在整部作品中也被赋予更为重要的意义。密接和应是在赋格主题再现时使用,它会大大增加作品中的紧张感,所以密接和应出现的地方往往也是赋格的高潮。在高潮部分时,大部分的钢琴演奏家都会给予这个部分一些力度或速度变化地处理,以便提醒听众高潮来临。对于力度变化来说,一般是在高潮部分给以重音强调地处理,便于和其他段落部分形成对比。但是对于高潮部分的速度变化来说,尤其是肖斯塔科维奇这部20世纪的钢琴作品,在节奏速度方面会与传统钢琴作品的节奏及演奏速度有所区别。而且由于演奏家的国别、民族、时代背景、年龄、个性、演奏技术等的不同,他们对于演奏的速度变化也会有各自差异处理。所以本文是基于前人研究的基础上,对密接和应这个写作技法进行更深入地了解,并且着重分析不同钢琴演奏家演奏的版本,对其在密接和应的演奏速度差异上进行研究。旨在通过对肖斯塔科维奇赋格中密接和应的演奏速度研究,帮助笔者更深入地了解肖斯塔科维奇及其这部作品,并帮助笔者及其他演奏者能够在今后演奏中更好地诠释它的速度,能够更细致地演奏好这部作品。
[Abstract]:Dimitri.Dmitriyevich.Shostakovich is one of the most important composers in the Soviet era and one of the greatest composers in the 20th century. The genres of his musical works involve a wide range of genres, in which piano works are also an important part of his creation. Shostakovich's piano works < 24 prelude and fugue > and Bach's "the collection of musical instruments of the mean" are both regarded as the pinnacle of polyphonic music. < 24 prelude and fugue are created by Shostakovich in order to express his respect for Bach. So it inherits the creation mode and skill foundation of Bach's "the collection of average piano music", but most of them come into the new polyphonic music style of the times, nationality and individual style. In this work, Shostakovich actively explores and innovates its content, rhythm, mode of thinking and structure. Among them, the innovation of the Fugue reproduction unit, which is composed of dense and should be written, is particularly outstanding, and in 24 fuges, there are writing techniques that are closely connected and should be written, so it also makes this technique of dense connection and response obtain great vitality. And in the whole work is also given more important significance. The dense connection and should be used in the reappearance of the fugue theme, it will greatly increase the tension in the work, so the place where the dense joint and should appear is also the climax of the fugue. During the climax part, most pianists give the part some force or speed change to remind the audience of the orgasm. For dynamics changes, it is generally in the climax to stress the processing, and facilitate the contrast with other paragraphs. But for the change of the speed of the climax, especially Shostakovich's piano works of the 20th century, the rhythm and speed of the traditional piano works will be different from those of the traditional piano works. Moreover, due to the different countries, nationalities, background, age, personality, playing skills of the players, they will have their own differences in the speed of performance. Therefore, this paper is based on the previous research, to the close and should this writing techniques for a more in-depth understanding, and focus on the analysis of different versions of piano players, and in the performance of the speed of the differences in the study. The purpose of this study is to help the writer to understand Shostakovich and his work more deeply through the study of the speed of Shostakovich's close connection and response in fugue. It also helps the author and other performers to better interpret its speed in the future and to play the work in more detail.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
本文编号：2418966
[Abstract]:Dimitri.Dmitriyevich.Shostakovich is one of the most important composers in the Soviet era and one of the greatest composers in the 20th century. The genres of his musical works involve a wide range of genres, in which piano works are also an important part of his creation. Shostakovich's piano works < 24 prelude and fugue > and Bach's "the collection of musical instruments of the mean" are both regarded as the pinnacle of polyphonic music. < 24 prelude and fugue are created by Shostakovich in order to express his respect for Bach. So it inherits the creation mode and skill foundation of Bach's "the collection of average piano music", but most of them come into the new polyphonic music style of the times, nationality and individual style. In this work, Shostakovich actively explores and innovates its content, rhythm, mode of thinking and structure. Among them, the innovation of the Fugue reproduction unit, which is composed of dense and should be written, is particularly outstanding, and in 24 fuges, there are writing techniques that are closely connected and should be written, so it also makes this technique of dense connection and response obtain great vitality. And in the whole work is also given more important significance. The dense connection and should be used in the reappearance of the fugue theme, it will greatly increase the tension in the work, so the place where the dense joint and should appear is also the climax of the fugue. During the climax part, most pianists give the part some force or speed change to remind the audience of the orgasm. For dynamics changes, it is generally in the climax to stress the processing, and facilitate the contrast with other paragraphs. But for the change of the speed of the climax, especially Shostakovich's piano works of the 20th century, the rhythm and speed of the traditional piano works will be different from those of the traditional piano works. Moreover, due to the different countries, nationalities, background, age, personality, playing skills of the players, they will have their own differences in the speed of performance. Therefore, this paper is based on the previous research, to the close and should this writing techniques for a more in-depth understanding, and focus on the analysis of different versions of piano players, and in the performance of the speed of the differences in the study. The purpose of this study is to help the writer to understand Shostakovich and his work more deeply through the study of the speed of Shostakovich's close connection and response in fugue. It also helps the author and other performers to better interpret its speed in the future and to play the work in more detail.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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