当代合唱作品《地球累了》的节奏研究
发布时间：2019-02-15 09:39
【摘要】：《地球累了》是委内瑞拉当代作曲家阿尔贝托·格劳于上世纪90年代为联合国"国际拯救地球日"活动而创作的一首无伴奏合唱作品。作品主题鲜明,具有时代特点,且当代音乐写作技术特点尤其明显。从听觉和视觉上讲,该音乐作品让我们感觉新鲜和独特:变换多样的节奏、特殊的音响效果、调性的似是而非、纷繁复杂的肢体动作,等等。然而,当我们仔细研究乐谱后发现,它又不是完全意义上的现代风格的合唱作品:作品的曲式结构,部分和声功能又有着非常明显的传统手法的印记,显示出作曲家创作思路中对于传统的运用显得自然流畅而不着痕迹。近年来,我国合唱团对此作品多有偏爱,并将此作品作为当代合唱作品中兼具难度与艺术性的代表作之一。是什么因素构成了这首作品的艺术成就?从合唱艺术的角度看,这首作品的价值和意义体现在哪里?本文立足于指挥的视角,从作品艺术创作手法的微观角度出发,对作品中的节奏手法进行深入剖析和研究,以图提炼出对于合唱音乐创作与表演具有理论价值意义的内容,为实践提供科学的理论依据。
[Abstract]:Tired Earth is a non-accompaniment composed by Venezuelan contemporary composer Alberto Grau in the 1990s for the UN's International Save the Earth Day. The theme of the work is bright, with the characteristics of the times, and the technical characteristics of contemporary music writing is particularly obvious. Audibly and visually, the music makes us feel new and unique: varied rhythms, special sound effects, specious tonality, complicated body movements, and so on. However, when we look closely at the score, we find that it is not a choral work of modern style in a complete sense: the composition of the work, part of the harmony function has the imprint of a very obvious traditional technique. It shows that the traditional use of the composer's creative ideas is natural and smooth without trace. In recent years, the choir of our country has a preference for this work, and regards it as one of the representative works of both difficulty and artistry in contemporary chorus works. What factors make up the artistic achievement of this work? From the point of view of choral art, where is the value and significance of this work? Based on the angle of command and from the micro point of view of artistic creation, this paper makes a thorough analysis and research on the rhythmic techniques in the works, in order to extract the content of theoretical value for the creation and performance of choral music. To provide scientific theoretical basis for practice.
【作者单位】： 中央民族大学(音乐学院);
【分类号】：J613.7
[Abstract]:Tired Earth is a non-accompaniment composed by Venezuelan contemporary composer Alberto Grau in the 1990s for the UN's International Save the Earth Day. The theme of the work is bright, with the characteristics of the times, and the technical characteristics of contemporary music writing is particularly obvious. Audibly and visually, the music makes us feel new and unique: varied rhythms, special sound effects, specious tonality, complicated body movements, and so on. However, when we look closely at the score, we find that it is not a choral work of modern style in a complete sense: the composition of the work, part of the harmony function has the imprint of a very obvious traditional technique. It shows that the traditional use of the composer's creative ideas is natural and smooth without trace. In recent years, the choir of our country has a preference for this work, and regards it as one of the representative works of both difficulty and artistry in contemporary chorus works. What factors make up the artistic achievement of this work? From the point of view of choral art, where is the value and significance of this work? Based on the angle of command and from the micro point of view of artistic creation, this paper makes a thorough analysis and research on the rhythmic techniques in the works, in order to extract the content of theoretical value for the creation and performance of choral music. To provide scientific theoretical basis for practice.
【作者单位】： 中央民族大学(音乐学院);
【分类号】：J613.7
【相似文献】
相关期刊论文 前10条
1 蒙海;;简论合唱作品研究[J];大众文艺;2011年05期
2 李君;;中国合唱作品创作的困境与路径[J];歌唱艺术;2012年03期
3 郝蔚;;浅谈合唱作品的分析[J];知识窗(教师版);2010年09期
4 于庆新;上海平安合唱团举办“田丰合唱作品音乐会”[J];人民音乐;2000年10期
5 伦毅杰;寓雄浑于恬淡之中——聆听田丰合唱作品音乐会[J];人民音乐;2000年12期
6 新;张敦智合唱作品音乐会在沪举行[J];人民音乐;2001年11期
7 杨虹，
本文编号：2423203
本文链接：https://www.wllwen.com/wenyilunwen/yinlelunwen/2423203.html
