肖邦钢琴奏鸣曲音乐织体研究

发布时间：2019-02-15 23:23

【摘要】：弗雷德里克·弗朗索瓦·肖邦是浪漫主义时期波兰伟大的作曲家、钢琴家,他的创作生涯持续三十余年,其中大多数是钢琴作品,以及少数室内乐作品和歌曲,因此被后人称为"钢琴诗人"。肖邦的钢琴音乐体现了新颖细腻的织体、迷人歌唱的旋律和色彩丰富的和声语汇,他的作品忠于古典主义"永恒的原则",同时自由的运用并发展了古典形式,加入了浪漫主义艺术特色,为19世纪浪漫主义音乐乃至现代钢琴音乐做出了重要的贡献。肖邦《钢琴奏鸣曲》共有三首,分别属于华沙学习时期与巴黎时期作品,大型作品的写作在作曲家的创作生涯中更富有代表性。奏鸣曲是古典主义时期典型的作品体裁,是自由与秩序的结合,表达"对立与统一",肖邦的三首钢琴奏鸣曲在继承传统奏鸣曲规则的同时融入了浪漫主义时代特征和作曲家自身的创作历程。通过对这三首钢琴奏鸣曲的音乐织体分析,可以清晰的看到作曲家愈发成熟的创作技巧和深刻的思想性。本文以肖邦《钢琴奏鸣曲》音乐织体作为主要研究对象,主要从以下三方面进行阐述,第一部分简述作曲家生平、奏鸣曲创作背景以及音乐织体的历史发展脉络;第二部分阐述三首奏鸣曲的音乐织体形态,对音乐本体进行深入分析;第三部分从西方传统和现代美学角度出发,对作品音乐的表现力以及美学价值进行分析。其中第二部分即对音乐织体的分析是本文重点研究的方向。
[Abstract]:Frederick Francois Chopin was a great composer and pianist in Poland during the Romantic period. His career lasted more than 30 years, most of which were piano works, as well as a few chamber music works and songs. Therefore, they are called "Piano Poets" by later generations. Chopin's piano music embodies novel and delicate texture, charming singing melody and colorful harmony vocabulary. His works are loyal to the "eternal principles" of classicism, and at the same time freely use and develop classical forms. It adds the characteristics of romantic art and makes important contributions to romantic music and even modern piano music in the 19 th century. Chopin's Piano Sonata consists of three pieces, which belong to the Warsaw study period and the Paris period. The writing of the large-scale works is more representative in the composer's writing career. Sonata is a typical genre of works in the period of classicism. It is a combination of freedom and order, expressing "opposites and unity". Chopin's three piano sonatas inherit the rules of traditional sonatas and incorporate the characteristics of the Romantic era and the composer's own creative process. By analyzing the musical texture of the three piano sonatas, we can clearly see the composer's more mature creative skills and profound ideological content. This paper takes Chopin's Piano Sonata as the main research object, mainly from the following three aspects: the first part describes the life of the composer, the background of sonata creation and the historical development of the musical texture; The second part expounds the musical texture of the three sonatas and analyzes the music ontology deeply. The third part analyzes the expressive power and aesthetic value of the works from the perspective of western traditional and modern aesthetics. The second part is the analysis of music texture.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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