斯特拉文斯基《春之祭》音乐及文化研究
发布时间：2019-02-22 21:36
【摘要】：俄裔美籍作曲家伊戈尔·菲德洛维奇·斯特拉文斯基是二十世纪欧洲音乐历史上最具影响力的作曲家之一,其早期芭蕾舞剧代表作《春之祭》创作完成于1912年末,并于1913年在巴黎首演,在欧洲乐坛引起了巨大轰动,欧洲由此掀开了二十世纪音乐的序幕。舞剧《春之祭》在音乐的几个不同方面都有其独特性:在结构方面,斯特拉文斯基借用了当时立体主义画派的绘画技法——贴纸法,把音乐素材嵌入段落的声部之中,通过材料本身或材料之间的变化来推动音乐的发展;在节奏方面,斯特拉文斯基使用大量的不规则重音和非常规节拍,为作品增添了充满原始风情的、不可预知的神秘感;同时,他在创作时采用了多样化的调式,也令作品充满了与以往不同的色彩。在这篇文章中,笔者通过对斯特拉文斯基的《春之祭》在结构、节奏和调性等方面的分析,在以当时文化艺术土壤为背景的基础上,对《春之祭》的创作进行关照,力图对作品和作曲家都有一个较为深入的理解,并在此基础上,能够进一步了解二十世纪初期的欧洲音乐文化,以及该作品对后世的影响与启发。
[Abstract]:Igor Fedrovich Stravinsky, an American composer of Russian descent, was one of the most influential composers in the European music history of the 20th century. His early ballet masterpiece, the Festival of the Spring, was completed in late 1912. He premiered in Paris in 1913 and caused a sensation in European music, which opened the twentieth century music. Dance play "the Festival of Spring" has its own uniqueness in several aspects of music: structurally, Stravinsky borrows the artesian painting technique of the time-stickers, to embed the music material in the sound of the passage. To promote the development of music through material itself or changes between materials; In terms of rhythm, Stravinsky uses a large number of irregular stresses and unconventional rhythms, adding to the original amorous feelings of the works, unpredictable mystery; At the same time, he used a variety of modes in his creation, which made the works full of different colors. In this article, through the analysis of Stravinsky's "the sacrifice of Spring" in the aspects of structure, rhythm and tonality, and on the basis of the cultural and artistic soil of that time, the author pays close attention to the creation of "the sacrifice of Spring". The author tries to have a deeper understanding of the works and composers, and on this basis, can further understand the European music culture in the early 20th century, as well as the influence and inspiration of the works on later generations.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J618
本文编号：2428661
[Abstract]:Igor Fedrovich Stravinsky, an American composer of Russian descent, was one of the most influential composers in the European music history of the 20th century. His early ballet masterpiece, the Festival of the Spring, was completed in late 1912. He premiered in Paris in 1913 and caused a sensation in European music, which opened the twentieth century music. Dance play "the Festival of Spring" has its own uniqueness in several aspects of music: structurally, Stravinsky borrows the artesian painting technique of the time-stickers, to embed the music material in the sound of the passage. To promote the development of music through material itself or changes between materials; In terms of rhythm, Stravinsky uses a large number of irregular stresses and unconventional rhythms, adding to the original amorous feelings of the works, unpredictable mystery; At the same time, he used a variety of modes in his creation, which made the works full of different colors. In this article, through the analysis of Stravinsky's "the sacrifice of Spring" in the aspects of structure, rhythm and tonality, and on the basis of the cultural and artistic soil of that time, the author pays close attention to the creation of "the sacrifice of Spring". The author tries to have a deeper understanding of the works and composers, and on this basis, can further understand the European music culture in the early 20th century, as well as the influence and inspiration of the works on later generations.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J618
【参考文献】
相关期刊论文 前1条
1 周耀群;《春之祭》的节奏[J];中央音乐学院学报;1984年04期
，本文编号：2428661
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