卫西琴中西文化比较下的音乐美学观研究
发布时间：2019-02-26 19:34
【摘要】：卫西琴(1882 ?),又名卫中,英文名字是Alfred Westharp,美籍德国人。二十世纪初来到中国,进行教育试验与文化试验,提出了自己的哲学心理观、文化观、教育观。笔者在此基础上总结出卫西琴的音乐哲学心理观、音乐审美观、音乐教育观。研究方法是文献学、美学思辨及教育学、心理学等方法的综合运用。音乐哲学心理观——音乐是离“精神”最近的高级感官活动、是“精神力量”的最高创造与发明;音乐审美观——东方音乐是基于心理与意识的音乐、是表达意愿与自然的音乐、是反映感觉逻辑与哲学的音乐;而西方音乐是基于声学与生理的音乐。笔者根据卫西琴对东西方音乐的理解,依据中西文化传统的差异分析了中西音乐功能、审美与形式的差异。音乐教育观——废除音乐中阻碍精神表示的因素,提倡“动的音乐”(科学音乐)。卫西琴还强调了音乐与道德的关系。文章的研究突出两方面的价值,一是近现代音乐史的价值,二是中国音乐美学史的价值及音乐美学理论的意义。卫西琴作为德国人,对中国音乐——追求生活的安乐与生命的体悟极其仰慕。按笔者理解,二十世纪初以德国为中心展开的两次世界大战,导致人的精神无处安放,卫西琴选择东方音乐,是寻求一种生活的安乐与生命的体悟。
[Abstract]:Wei Xiqin (1882?), also known in Chinese, the English name is Alfred Westharp, American German. At the beginning of the 20th century, I came to China to carry out educational and cultural experiments, and put forward my philosophical outlook on psychology, culture and education. On this basis, the author summarizes Wei Xiqin's view of philosophy of music, aesthetic view of music, and view of music education. The research method is the comprehensive application of philology, aesthetic thinking and pedagogy, psychology and so on. Philosophy of Music Psychology-Music is the closest high-level sensory activity to "spirit", and it is the highest creation and invention of "spiritual power"; Music aesthetics-Oriental music is music based on psychology and consciousness, music expressing will and nature, music reflecting sense logic and philosophy, while western music is music based on acoustics and physiology. According to Wei Xiqin's understanding of eastern and western music and the differences between Chinese and western cultural traditions, the author analyzes the differences in the function, aesthetics and form of Chinese and western music. Music Education-abolishing the factors that hinder the expression of spirit in music and advocating "moving music" (scientific music). Wei Xiqin also emphasized the relationship between music and morality. The study of this article highlights two aspects of value, one is the value of modern music history, the other is the value of the history of Chinese music aesthetics and the significance of music aesthetics theory. As a German, Wei Xiqin admires Chinese music-the pursuit of life's happiness and life's understanding. According to the author's understanding, the two world wars, centered on Germany in the early 20th century, led to nowhere for human spirit to be settled, and the choice of Oriental music by Wei Xiqin was to seek a kind of life's happiness and life's understanding.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J601
本文编号：2431082
[Abstract]:Wei Xiqin (1882?), also known in Chinese, the English name is Alfred Westharp, American German. At the beginning of the 20th century, I came to China to carry out educational and cultural experiments, and put forward my philosophical outlook on psychology, culture and education. On this basis, the author summarizes Wei Xiqin's view of philosophy of music, aesthetic view of music, and view of music education. The research method is the comprehensive application of philology, aesthetic thinking and pedagogy, psychology and so on. Philosophy of Music Psychology-Music is the closest high-level sensory activity to "spirit", and it is the highest creation and invention of "spiritual power"; Music aesthetics-Oriental music is music based on psychology and consciousness, music expressing will and nature, music reflecting sense logic and philosophy, while western music is music based on acoustics and physiology. According to Wei Xiqin's understanding of eastern and western music and the differences between Chinese and western cultural traditions, the author analyzes the differences in the function, aesthetics and form of Chinese and western music. Music Education-abolishing the factors that hinder the expression of spirit in music and advocating "moving music" (scientific music). Wei Xiqin also emphasized the relationship between music and morality. The study of this article highlights two aspects of value, one is the value of modern music history, the other is the value of the history of Chinese music aesthetics and the significance of music aesthetics theory. As a German, Wei Xiqin admires Chinese music-the pursuit of life's happiness and life's understanding. According to the author's understanding, the two world wars, centered on Germany in the early 20th century, led to nowhere for human spirit to be settled, and the choice of Oriental music by Wei Xiqin was to seek a kind of life's happiness and life's understanding.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J601
【参考文献】
相关期刊论文 前1条
1 项筱刚;;辛亥革命前后的音乐观念[J];黄钟(中国.武汉音乐学院学报);2011年04期
，本文编号：2431082
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