古尔德钢琴演奏中的“拼贴思维”透视——以几首钢琴作品的内涵解读为例
发布时间：2019-03-17 07:25
【摘要】：古尔德是著名的钢琴演奏家、作曲家,他一生演奏了巴赫几乎所有钢琴作品,是最有影响的巴赫作品诠释者。他对对位法的熟悉,对指尖触键的嗜好,常使得创意曲中的快速节奏与巧妙的声部处理能够创造性的结合起来,并且在各个要素中都体现出"拼贴"的思维特征。本文主要从巴赫二、六、九首创意曲中的演奏术语、结构、技法、声部等要素方面,透视古尔德的"拼贴"思维特点。
[Abstract]:Gould is a famous pianist and composer who has played almost all of Bach's piano works all his life and is the most influential interpreter of Bach's works. His familiarity with opposites and his fondness for fingertip touch often make creative combination of the fast rhythm of creative music and the skillful processing of the sound part, and embody the "collage" thinking feature in every element. This paper explores Gould's thinking characteristics of collage from the aspects of playing terms, structure, technique and sound in Bach's two, six and nine creative songs.
【作者单位】： 广西师范大学音乐学院钢琴系;
【分类号】：J624.1
，
本文编号：2442057
[Abstract]:Gould is a famous pianist and composer who has played almost all of Bach's piano works all his life and is the most influential interpreter of Bach's works. His familiarity with opposites and his fondness for fingertip touch often make creative combination of the fast rhythm of creative music and the skillful processing of the sound part, and embody the "collage" thinking feature in every element. This paper explores Gould's thinking characteristics of collage from the aspects of playing terms, structure, technique and sound in Bach's two, six and nine creative songs.
【作者单位】： 广西师范大学音乐学院钢琴系;
【分类号】：J624.1
，
本文编号：2442057
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