拉赫玛尼诺夫《~#C小调前奏曲》音响版本的比较研究

发布时间：2019-04-08 09:18

【摘要】：俄罗斯音乐家拉赫玛尼诺夫(后文简称拉氏)是浪漫主义后期的杰出代表。他的创作很广泛,涉及到了声乐、器乐、交响乐等,其中《~#%小调前奏曲》(后文简称《~#c小调》)是钢琴独奏作品中的一首,与其后创作的《悲歌》、《旋律》、《小丑》、《小夜曲》一起合集出版,这也是拉氏的第一套钢琴独奏作品,称为《幻想小品集》。他的音乐常会带有一些感伤情绪,每首作品都在叙述他的生命,他形容音乐就如吃饭一样不可或缺,他将生活中的爱情、痛苦、悲伤、虔诚都融入到了音乐之中。《~#c小调》是拉氏1892年在莫斯科音乐学院毕业时创作的作品,其音乐直入人心,因而成为了他的成名曲,也是他每场音乐会的必弹曲目。为了能更深入的了解该曲,本文将以湖南音乐出版社的《拉赫玛尼诺夫钢琴前奏曲》为乐谱谱例,选取包括作曲家本人在内的六位钢琴家(拉氏阿什肯纳齐、威森伯格、谢利、林帕尼、涅伯辛),从录音技术、时代背景、年龄差异等方面,用数据化的方式对他们所录制的音响做对比分析研究。本文将分为三部分:第一部分阐述该作品的创作环境,然后分析拉氏演奏的三次录音;第二部分从众多钢琴家演绎该作品的版本中选取五位,进行音响的细致分析,从力度、速度等方面加以研究;第三部分将拉氏与五位演奏家的音响版本对比进行深入总结,探讨不同时代背景、生理心理等诸多因素对诠释该作品产生的不同影响,再透过研究的结果得到演奏与教学的启示与思考。
[Abstract]:Russian musician Rachmaninov (hereinafter referred to as Rush) is an outstanding representative of the late Romanticism. His writing is very extensive, involving vocal music, instrumental music, symphony, and so on. Among them, the prelude in ~ #% minor (abbreviated as ~ # c minor) is one of the piano solo works, and the following composition, "sad Song", "melody." The Joker, the Serenade, is the first set of piano solo works by Lahrenheit, called the Fantasy Sketch. His music often has some sentimental feelings, every work is about his life, he describes music as indispensable as eating, he will love, pain, sadness in life, Piety was incorporated into music. < ~ # c minor > was written by Rush when he graduated from the Moscow Conservatory of Music in 1892, and his music went straight into the hearts of the people, so it became his famous song, and it was also a must-play for every concert. In order to get a better understanding of the music, this paper will take Rachmaninov's Piano Prelude by Hunan Music Publishing House as an example, and select six pianists, including the composer himself (Rashkenazi, Weisenberg, Shirley, etc.), which are composed of six pianists (Ashkenazi, Weisenberg, and Shirley) from Hunan Music Publishing House. Linpani, Niebersing, from the recording technology, time background, age differences, and so on, by means of data to do a comparative analysis of their recorded sound. This paper will be divided into three parts: the first part describes the creative environment of the work, and then analyzes the three recordings of Laplace performance; The second part selects five pianists from the version of the work and makes a detailed analysis of the sound and studies it from the aspects of strength and speed. The third part makes an in-depth summary of the audio versions of Lara and five performers, and probes into the different influences of various factors such as the background of the times, physiology and psychology on the interpretation of the work. Then through the results of the study to get the performance and teaching inspiration and thinking.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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