东方音乐美学、心理学与哲学基础:从印度音乐拉斯美学谈起

发布时间：2019-04-11 11:15

【摘要】：长期以来,我们对中国音乐的认识仅仅限于"音乐形态"的讨论,而大大忽略了中国音乐的美学、心理学与哲学基础。在中国高等音乐教育中,主客观认识的审美、科学实验心理学的"乐音音高"的视唱练耳以及音高形式逻辑实体的音乐分析主宰了我们音乐的思维、行为和评价方式。在东西方音乐信息不对称结构的情况下,即在没有对东方音乐的美学、心理学与哲学基础的研究下,对东方音乐作了"单音音乐"以及西方复音音乐发展前阶段的历史判断。实际上,各民族歌唱自然发声的单个"音声"的复杂性、丰富性超过理性的"复音音乐"。当然,它并非以严密的音高形式逻辑来体现。理性复音音乐的高度发展是西方文明的贡献,并成为工业文明的音乐教育体系和创作思维方式,而各民族歌唱自然发声声源所具有的内省心理学与机体哲学或自然哲学方式,也同样具有人类生态文明音乐多样性的历史重要意义。本文从印度音乐美学、心理学为起点开始讨论东方音乐内省心理学的声源基础,再到怀特海从实体到机体哲学的视角来重新看待东方音乐美学、心理学与哲学的当代意义。
[Abstract]:For a long time, our understanding of Chinese music has been limited to the discussion of "musical form", and has largely ignored the aesthetic, psychological and philosophical foundations of Chinese music. In higher music education in China, the aesthetic of subjective and objective cognition, the solfeggio of scientific experimental psychology and the musical analysis of the logical entity of pitch form dominate the way of thinking, behavior and evaluation of our music. In the case of the asymmetric information structure of eastern and western music, that is, without the research of aesthetics, psychology and philosophy of oriental music, the "monophonic music" of oriental music and the historical judgment of the pre-development stage of western polyphonic music have been made. As a matter of fact, the complexity and richness of individual "sounds" are more complicated than rational "polyphonic music". Of course, it is not embodied in strict pitch formal logic. The high development of rational polyphonic music is the contribution of western civilization, and has become the music education system and creative thinking mode of industrial civilization. It also has the historical significance of the diversity of human ecological civilization music. From the perspective of Indian music aesthetics and psychology, this paper discusses the sound source basis of introspection psychology of oriental music, and then Whitehead reconsiders the contemporary significance of oriental music aesthetics, psychology and philosophy from the perspective of entity to body philosophy.
【作者单位】：南京艺术学院音乐学研究所;
【分类号】：J60-05

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