夏利诺《黑暗之序言》创作探究
发布时间：2019-04-24 01:50
【摘要】：萨尔瓦多·夏利诺(SalvatoreSciarrino 1947-)是活跃于当今欧洲乐坛的意大利先锋派作曲家。他的作品里经常充斥着令人耳目一新的听觉感受,并洋溢出浓厚的个人色彩。本文以夏利诺的室内乐作品《黑暗之序言》(Inntroduzione ll'Oscuro)作为研究对象,重点分析作曲家以“元音响材料”为核心的创作理念和他独特的个人音乐语言,并以此延伸出对现代音乐创作理念的一些思考。本文分为三个章节:第一章简要介绍作曲家生平及创作、《黑暗之序言》的写作背景。第二章对作品进行作曲技术分析,包括元音响材料分析、结构分析、配器分析等。第三章总结归纳作曲家的创作特点,并试论“元音响材料”创作理念对于现代音乐创作的影响与启示。
[Abstract]:El Salvador SalvatoreSciarrino (1947 -) is an avant-garde Italian composer active in European music today. His works are often filled with refreshing and personal feelings. This paper focuses on the creative idea of the composer's "meta-audio material" and his unique personal musical language, taking (Inntroduzione ll'Oscuro) as the object of study in his indoor music work, "Preface to the Dark", and focuses on the analysis of the composer's creative idea with "meta-audio material" as the core. And with this extends to the modern music creation idea some ponders. This paper is divided into three chapters: the first chapter briefly introduces the composer's life and creation, the background of the Prologue to the Dark. The second chapter analyzes the composition technology, including meta sound material analysis, structure analysis, orchestration analysis and so on. The third chapter summarizes the creative characteristics of composers, and tries to discuss the influence and enlightenment of the concept of "meta-audio materials" on modern music creation.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
本文编号：2464002
[Abstract]:El Salvador SalvatoreSciarrino (1947 -) is an avant-garde Italian composer active in European music today. His works are often filled with refreshing and personal feelings. This paper focuses on the creative idea of the composer's "meta-audio material" and his unique personal musical language, taking (Inntroduzione ll'Oscuro) as the object of study in his indoor music work, "Preface to the Dark", and focuses on the analysis of the composer's creative idea with "meta-audio material" as the core. And with this extends to the modern music creation idea some ponders. This paper is divided into three chapters: the first chapter briefly introduces the composer's life and creation, the background of the Prologue to the Dark. The second chapter analyzes the composition technology, including meta sound material analysis, structure analysis, orchestration analysis and so on. The third chapter summarizes the creative characteristics of composers, and tries to discuss the influence and enlightenment of the concept of "meta-audio materials" on modern music creation.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
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