论云南剑川白族调音乐《白月亮，白姐姐》的艺术特征与演唱处理
发布时间：2019-04-26 04:51
【摘要】：本文主要研究的是云南剑川白族调作品《白月亮,白姐姐》。文章主要抓住这首曲子的艺术特征与演唱处理两个方面来写,通过分析它的曲子艺术风格和对该作品的艺术演唱把控,来探讨和发掘民族音乐作品的内涵性及传承。《白月亮,白姐姐》这一白族调传统作品,是采用白族典型的“山花体”格式创作而成,所谓的山花体格式,就是“三七七五,七七七五”的格式,这里的“三七七五,七七七五”是指每句话语的字数。旋律则采用了e羽调式,音乐形态多多为级进上行或下行或旋律大跳,整体旋律感悠远绵长,耐人寻味。在作品的咬字中,必须要遵循白语的咬字吐字和当地的方言习惯,这样才能唱出原汁原味的作品;在作品的演唱中,该作品要求不但要有传统的原生态“白声”,还得有专业音乐演唱中的技巧。高音区保持“高位置”,在低音区保持“像说话一样歌唱”的状态才能使得音乐整体流畅贯通;在作品音乐处理方面,运用一些“连”、“跳”、“不连不跳”等方式来完善作品,使得作品充满生机和灵气。同时,在白曲的演唱中,加入了新的创作和改编,是一种创新也是一种作品新的生命延续方式,只有大家对白族调作品进行传唱、保护、重视,白族文化才能得以传承。
[Abstract]:This article mainly studies Yunnan Jianchuan Bai nationality tune works, White Moon, White Sister. This article mainly grasps the artistic characteristic of this piece and the singing processing two aspects to write, through the analysis of its artistic style and the artistic singing control of the work, to explore and explore the connotation and inheritance of the folk music works. Bai Sister > this traditional work of Bai nationality tunes is created by using the typical "mountain flower body" format of the Bai nationality. The so-called mountain flower pattern is the format of "3775,7775". Here, the "37775" format. Seven, five "refers to the number of words per sentence." Melodies adopt e-plumes, music forms for progressive upward or downward or melodic jump, the overall melodic feeling is far and long, intriguing. In order to sing the original works, we must follow the vernacular bites and local dialect habits in order to sing the original works. In the performance of the work, the work requires not only the traditional original ecology "white sound", but also professional music singing skills. To keep the high position in the high-pitched area and the singing-like state in the bass area, the whole music can be smoothly connected; In the aspect of music processing, some ways such as "Lian", "Jump", "No Jump" and so on are used to perfect the works, so that the works are full of vitality and spirit. At the same time, in the singing of Bai qu, adding new creation and adaptation is a kind of innovation and a new way of life continuation of works. Only by singing, protecting and attaching importance to Bai's tunes can Bai culture be inherited.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607
本文编号：2465767
[Abstract]:This article mainly studies Yunnan Jianchuan Bai nationality tune works, White Moon, White Sister. This article mainly grasps the artistic characteristic of this piece and the singing processing two aspects to write, through the analysis of its artistic style and the artistic singing control of the work, to explore and explore the connotation and inheritance of the folk music works. Bai Sister > this traditional work of Bai nationality tunes is created by using the typical "mountain flower body" format of the Bai nationality. The so-called mountain flower pattern is the format of "3775,7775". Here, the "37775" format. Seven, five "refers to the number of words per sentence." Melodies adopt e-plumes, music forms for progressive upward or downward or melodic jump, the overall melodic feeling is far and long, intriguing. In order to sing the original works, we must follow the vernacular bites and local dialect habits in order to sing the original works. In the performance of the work, the work requires not only the traditional original ecology "white sound", but also professional music singing skills. To keep the high position in the high-pitched area and the singing-like state in the bass area, the whole music can be smoothly connected; In the aspect of music processing, some ways such as "Lian", "Jump", "No Jump" and so on are used to perfect the works, so that the works are full of vitality and spirit. At the same time, in the singing of Bai qu, adding new creation and adaptation is a kind of innovation and a new way of life continuation of works. Only by singing, protecting and attaching importance to Bai's tunes can Bai culture be inherited.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607
【参考文献】
相关期刊论文 前3条
1 任铭月;;浅谈云南大理的民族音乐特征[J];黄河之声;2012年08期
2 周亮;;美声唱法演唱汉语歌曲咬字吐字问题研究[J];艺术教育;2009年06期
3 蒋娟全;论歌唱中的咬字吐字[J];零陵学院学报;2004年03期
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