当前位置:主页 > 文艺论文 > 音乐艺术论文 >

岭南琴曲乐理文化的阐释及教学研究

发布时间:2019-04-27 01:46
【摘要】:岭南琴派是中国九大古琴流派中的重要支脉,在地理区域上涵盖了广东、广西、港澳及海南全境。当下岭南琴派主要以广州为中心城市,向周围进行岭南琴文化的传承与交流。岭南地域自南朝时期古琴萌芽的兴起距今已经有一千五百多年的历史,深厚的古琴文化底蕴滋养了一大批琴人,产生了三部代表性琴谱,传承至今的有九首岭南代表性琴曲:《渔樵问答》、《怀古》、《碧涧流泉》、《双鹤听泉》等。岭南琴派在当近代的古琴传承中,始终恪守着杨新伦先生定下的“刚健”、“爽朗”、“明快”的古琴要义。本文中所研究的岭南琴曲以杨新伦、谢导秀传抄的《渔樵问答》、《怀古》、《碧涧流泉》、《双鹤听泉》四首琴曲为具体研究对象,通过对琴曲的指法谱字、曲体结构的研究,分析琴曲谱本的传承与衍变、谱字指法的特点、音乐旋律的发展特征,总结四首岭南琴曲的乐理文化共性。最后将乐理文化的共性以教学形式展开,选取《减字谱及古琴“韵拍”》作为教学主题,针对于音乐专业的学生进行减字谱的谱式构造、古琴“韵拍”的学理讲解,提高学生对于民族乐理的感性认识,加深学生对于岭南琴曲的学习兴趣。
[Abstract]:Lingnan Qin School is an important branch of the nine ancient Qin schools in China, covering Guangdong, Guangxi, Hong Kong, Macao and Hainan. At present Lingnan Qin school mainly takes Guangzhou as the center city, carries on the Lingnan Qin culture inheritance and the exchange to the surrounding area. Lingnan has a history of more than 1500 years since the emergence of the sprout of Guqin in the Southern Dynasty. The profound culture of Guqin nourished a large number of pianists and produced three representative piano genres. So far, there are nine representative Lingnan piano songs: question and answer of Fishery firewood, nostalgia, Bijian Stream Spring, Shuanghe listening Spring and so on. Lingnan Qin School in the modern ancient Qin inheritance, always adhere to Mr. Yang Xinlun's "robust", "refreshing", "bright" Guqin essentials. The Lingnan piano music studied in this paper takes Yang Xinlun and Xie Daoxiu's questions and answers of fishing firewood, nostalgia, Bijian Stream Spring and Shuanghe listening Spring as the specific research objects, and through the finger spectrum of the piano music, the four pieces of piano music are taken as the specific object of study, which are: Yang Xinlun, Xie Dou-xiu and Xie Dou-xiu. This paper studies the structure of music, analyzes the inheritance and evolution of the musical composition, the characteristics of the spectral notation and the development of music melody, and sums up the cultural commonalities of music theory of the four Lingnan piano songs. Finally, the generality of music culture is carried out in the form of teaching, and the theme of "subtractive Spectrum and Guqin Rhyme" is chosen as the teaching theme. It is aimed at the composition of subtractive spectrum for students majoring in music, and the theoretical explanation of Guqin's Rhyme "is given. Improve students' perceptual understanding of national music theory, deepen students' interest in Lingnan piano music.
【学位授予单位】:广州大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J632.31-4

【参考文献】

相关期刊论文 前7条

1 颜峻;杨祝飞;;“歌唱性”释义[J];云南艺术学院学报;2011年01期

2 许海帆;;《古冈遗谱》琴曲传承及流变探微[J];星海音乐学院学报;2008年04期

3 章华英;;管平湖古琴打谱艺术探窥[J];中国音乐学;2007年03期

4 杜亚雄,秦德祥;“腔音”说[J];音乐研究;2004年03期

5 刘承华;古琴表现力抉微[J];中国音乐学;2000年02期

6 成公亮;打谱是什么?[J];音乐研究;1996年01期

7 李瑞;岭南琴派传人黄炳X[J];岭南文史;1994年01期

相关博士学位论文 前1条

1 章华英;古琴音乐打谱之理论与实证研究[D];中国艺术研究院;2006年



本文编号:2466586

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yinlelunwen/2466586.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户2747c***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com