小提琴协奏曲《长白魂》创作技法研究

发布时间：2019-05-12 16:43

【摘要】：朴瑞星是中国当代一位极富创造力的朝鲜族作曲家,他的创作根基牢牢扎根于朝鲜族音乐之中。他善于将朝鲜族传统乐器和西方乐器揉合在一起,以及将朝鲜族音乐元素融入到作品之中,推陈出新,既不失交响乐的磅礴大气,又能充分展现朝鲜族音乐的细腻音响特色。小提琴协奏曲《长白魂》是朴瑞星的代表作品之一,此作品的音乐语汇具有创新性、多元性及鲜明的民族性特征。本文以小提琴协奏曲《长白魂》为研究对象,从以下几个方面对该作品进行了详细的分析与论述:1、主题四音列对整部作品的统一作用。2、奏鸣曲式结构当中调性远离的处理。3、对于朝鲜族特有的“长短”节奏进一步研究,主要包括:基本节奏型、变化节奏型、混合长短在作品中的运用;并发现了“长短”所包括的复合型内涵及本身的重要特征。本文由绪论、三个章节主体部分及结语五大模块构成:绪论,就该课题研究目的、意义和实用价值及在国内外的研究现状、发展动态加以说明和阐述;第一章,是对朴瑞星个人简介、作品创作背景的整体概述及灵感来源;第二章,创作技法分析。从主题与四音列的发展模式、作品结构布局、和声特征、配器手法这四方面对《长白魂》进行具体分析;第三章,对该作品中运用朝鲜族音乐元素的体现进行了具体分析。结语,朴瑞星在音乐中对西方现代作曲技法和朝鲜族音乐元素的结合做了概括性总结。朴瑞星以其深沉的民族情怀,将朝鲜族音乐素材和西方作曲技法巧妙融合在一起,运用朝鲜族“长短”节奏的律动与西方节奏、节拍之间的交织,乐器之间的音色碰撞等手法充分展现民族音乐特有的艺术性。作为朝鲜族作曲家,担负对本民族文化的传承和探求的历史责任,获取创作中的宝贵经验,再运用到我们的音乐创作及研究。
[Abstract]:Park Ruixing is a creative Korean composer in contemporary China. His creation is firmly rooted in Korean music. He is good at combining the traditional Korean musical instruments with western musical instruments, as well as the elements of Korean music into the works, promote the new, not only without losing the majestic atmosphere of symphony, but also can fully display the delicate sound characteristics of Korean music. Violin Concerto Changbai Soul is one of Park Ruixing's representative works. The musical vocabulary of this work has innovative, pluralistic and distinctive national characteristics. Taking the Violin Concerto "the Soul of Changbai" as the research object, this paper makes a detailed analysis and discussion of this work from the following aspects: 1, the unifying effect of the theme four-tone series on the whole work. Third, the further study of the "length" rhythm of Korean nationality, mainly including: basic rhythm type, change rhythm type, mixed length in the use of the work; 3, further research on the "length" rhythm of Korean nationality's unique "length" is made up of: the basic rhythm type, the variation rhythm type and the mixed length in the works; The compound connotation and its own important characteristics of "length and length" are also found. This paper consists of the introduction, the main body of three chapters and the conclusion of five modules: introduction, the purpose, significance and practical value of the subject and the current research situation at home and abroad, development trends to explain and elaborate; The first chapter is the personal introduction of Park Ruixing, the overall overview of the creation background and the source of inspiration; the second chapter, the analysis of creative techniques. This paper makes a concrete analysis of Changbai Soul from four aspects: the development pattern of theme and four-tone series, the layout of works structure, the characteristics of harmony, and the orchestration technique. In the third chapter, the embodiment of the application of Korean music elements in this work is analyzed concretely. In conclusion, Park Ruixing makes a general summary of the combination of western modern composition techniques and Korean music elements in music. Park Ruixing, with his deep national feelings, merges the material of Korean music and western composing techniques skillfully, using the rhythm of the Korean nationality's "length" rhythm, the western rhythm, and the interweaving between the rhythm and the rhythm of the West. The timbre collision between musical instruments fully shows the unique artistry of national music. As a Korean composer, he bears the historical responsibility for the inheritance and exploration of his own culture, obtains valuable experience in his creation, and then applies it to our music creation and research.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J622.1

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