“音乐与认同”语境下的中国少数民族音乐研究——“音乐与认同”研讨专题主持人语
发布时间:2019-05-17 21:48
【摘要】:20世纪80年代初,美国民族音乐学开始关注“音乐与认同”的关系问题,美国民族音乐学家蒂莫西·赖斯(Timothy Rice)2007年以来发表的两篇文章,对此方面的研究历史进行了综述、梳理和评论。自20世纪90年代,中国学者亦开始借鉴人类学的同类研究方法及成果,对于中国汉族传统音乐及少数民族音乐与文化认同的关系问题展开一系列的讨论和研究,如今也已取得令人瞩目的研究成果。本期学报“音乐与认同”研讨专题推出的一组以中国少数民族音乐为对象的相关学术论文,便集中体现了该学术领域的最新进展。
[Abstract]:In the early 1980s, American ethnomusicology began to pay attention to the relationship between "music and identity". Two articles published by (Timothy Rice) (Timothy Rice), an American ethnomusicist since 2007, reviewed the research history in this field. Comb and comment. Since the 1990s, Chinese scholars have also begun to draw lessons from similar anthropological research methods and achievements to carry out a series of discussions and studies on the relationship between Chinese Han traditional music and minority music and cultural identity. Now also has achieved remarkable research results. A group of related academic papers aimed at the music of ethnic minorities in China, which are put forward on the topic of Music and identity in this issue, focuses on the latest progress in this academic field.
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本文编号:2479430
[Abstract]:In the early 1980s, American ethnomusicology began to pay attention to the relationship between "music and identity". Two articles published by (Timothy Rice) (Timothy Rice), an American ethnomusicist since 2007, reviewed the research history in this field. Comb and comment. Since the 1990s, Chinese scholars have also begun to draw lessons from similar anthropological research methods and achievements to carry out a series of discussions and studies on the relationship between Chinese Han traditional music and minority music and cultural identity. Now also has achieved remarkable research results. A group of related academic papers aimed at the music of ethnic minorities in China, which are put forward on the topic of Music and identity in this issue, focuses on the latest progress in this academic field.
,
本文编号:2479430
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