“花儿”的生存状态与风险应对
发布时间：2019-05-19 06:44
【摘要】："花儿"起源于明清年间,在乡土社会条件下数百年来循序渐进地自然传延发展。当中国社会进入现代转型的历史时期,乡土社会原有的基础和秩序被现代工业和市场经济所瓦解,花儿数百年来赖以生存的生态环境被改变,花儿传唱群体随着这一历史进程发生解体,花儿自此失去了固有的传承载体,在枯萎和变异中呈现出传承危机。对于这场危机的应对,首先要做好现存原始音像资料的保护,以防止文化"记忆"出现中断。最好的保护一定不是原汁原味的保存,最终要从培养花儿传承人入手,重构花儿传唱群体,才有可能复活花儿的活态传承,继承和弘扬花儿文化。
[Abstract]:Hua er originated in Ming and Qing dynasties, and developed step by step under the condition of local society for hundreds of years. When Chinese society entered the historical period of modern transformation, the original foundation and order of local society were disintegrated by modern industry and market economy, and the ecological environment on which flowers depended for survival for hundreds of years was changed. With this historical process, the flower singing group disintegrated, and the flower has since lost its inherent inheritance carrier, showing a inheritance crisis in withering and variation. In order to deal with this crisis, we should first protect the existing original audio-visual materials in order to prevent the cultural "memory" from being interrupted. The best protection must not be the preservation of the original flavor. Finally, it is possible to revive the living inheritance of the flowers and inherit and carry forward the flower culture by cultivating the inheritors of the flowers and reconstructing the singing groups of the flowers.
【作者单位】： 中国艺术研究院音乐研究所;兰州大学艺术学院;
【基金】：教育部人文社会科学青年基金项目“花儿的数字化保护与传承研究”(16YJC760079) 2017年度兰州大学教学研究项目“兰州大学‘西北花儿演唱艺术’课程的实践与探索”
【分类号】：J607
，
本文编号：2480486
[Abstract]:Hua er originated in Ming and Qing dynasties, and developed step by step under the condition of local society for hundreds of years. When Chinese society entered the historical period of modern transformation, the original foundation and order of local society were disintegrated by modern industry and market economy, and the ecological environment on which flowers depended for survival for hundreds of years was changed. With this historical process, the flower singing group disintegrated, and the flower has since lost its inherent inheritance carrier, showing a inheritance crisis in withering and variation. In order to deal with this crisis, we should first protect the existing original audio-visual materials in order to prevent the cultural "memory" from being interrupted. The best protection must not be the preservation of the original flavor. Finally, it is possible to revive the living inheritance of the flowers and inherit and carry forward the flower culture by cultivating the inheritors of the flowers and reconstructing the singing groups of the flowers.
【作者单位】： 中国艺术研究院音乐研究所;兰州大学艺术学院;
【基金】：教育部人文社会科学青年基金项目“花儿的数字化保护与传承研究”(16YJC760079) 2017年度兰州大学教学研究项目“兰州大学‘西北花儿演唱艺术’课程的实践与探索”
【分类号】：J607
，
本文编号：2480486
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