多声思维中的力度层次在钢琴音乐创作中的体现

发布时间：2019-05-19 16:30

【摘要】：钢琴虽然是独奏乐器,但由于其多声的特点,作品中更多体现了管弦乐的多声思维。特别是钢琴作品中的力度层次,不仅仅表现在作曲家在乐谱上所标示的力度标记上,我们应以多声思维来解析作品,通过仔细阅读乐曲的节拍标记,同时要看到节拍在乐曲中所隐含的变化,以及乐曲所常用的典型节奏型,分析节拍与节奏所代表的力度变化;还要看到乐曲的音区变化以及单个声部与多个声部的走向变化,分析其中所隐含的力度变化;同时兼顾声部关系以及声部数量,分析出主次旋律和陈述与高潮时的声部数量关系;以及分析乐曲的调式调性和每一个和弦的功能意义及和弦结构还有和弦外音的种类及其解决方式,体验其中隐含的力度变化。只有通过这样对乐谱全方位的分析,才能完整地理解作曲家在作品中力度处理的想法,准确地表达作曲家的创作意图,只有形成这样的多声读谱思维,才能在钢琴作品中的创作中了解到正确的力度表现方式,形成良好的力度处理思维,才能更好的完成钢琴作品的分析与演奏。
[Abstract]:Although the piano is a solo instrument, because of its multi-tone characteristics, the multi-tone thinking of orchestra is more embodied in the works. In particular, the level of strength in piano works is not only reflected in the strength mark marked by the composer on the score, but also in the analysis of the work with multi-tone thinking, through careful reading of the beat mark of the music. At the same time, we should see the changes implied by the beat in the music, as well as the typical rhythm type commonly used in the music, and analyze the intensity changes represented by the beat and rhythm. It is also necessary to see the change of the sound area of the music and the change of the direction of the single part and the multiple parts, and analyze the change of the intensity implied in it. At the same time, taking into account the relationship between the sound part and the number of the sound part, the relationship between the primary and secondary melodies and the presentation and the number of the sound parts at the climax is analyzed. It also analyzes the tonal nature of the music and the functional meaning of each chord and the structure of the chord, as well as the types of chords and their solutions, and experiences the implied changes in intensity. Only by analyzing the music score in an all-round way can we fully understand the composer's idea of dealing with it in his works, accurately express the composer's creative intention, and only form such a multi-tone reading spectrum thinking. Only in order to understand the correct way of strength expression in the creation of piano works, to form a good thinking of strength treatment, and to better complete the analysis and performance of piano works.
【作者单位】：太原师范学院音乐系;
【基金】：2015年度山西省艺术科学规划基金项目《山西音乐创作专业技术人才队伍建设研究》课题编号:2015D01
【分类号】：J624.1

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