论钢琴演奏中的“心理张力”——以李斯特《塔兰泰拉舞曲》为例

发布时间：2019-06-17 09:02

【摘要】：众所周知,钢琴演奏实际上包括了生理运动和心理活动这两个密不可分、相辅相成的部分。试想,如果只有技术没有心理活动的参与,那么演奏的作品只是有"形",而无"神"。钢琴演奏中包含了联觉、联想和想象等一系列的心理活动,"心理张力"则是钢琴演奏心理中最为重要的一个环节。心理张力是指当人具有一定的目的、需要和动机的时候,在心理产生的一种心理倾向、动力。本文是以李斯特的《塔兰泰拉舞曲》为例,较为详细的阐述心理张力在其演奏中的具体运用。
[Abstract]:It is well known that piano playing actually includes two closely connected and complementary parts of physical and psychological activities. Imagine that if only technology is not involved in psychological activity, the work played is just``shaped'' , and there is no``god'' . The piano performance includes a series of psychological activities, such as joint sense, association and imagination. ``psychological tension'' is the most important part of piano performance psychology. Psychological tension refers to a psychological tendency and motivation that occurs when a person has a certain purpose, needs and motivation. In this paper, taking Liszt's as an example, this paper expounds the specific application of psychological tension in its performance.
【作者单位】：四川音乐学院基础部;
【分类号】：J624.1

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