论轮指音色多样性在作品中的应用
发布时间：2019-06-29 21:46
【摘要】：轮指是琵琶右手演奏技法中十分重要的一种,其音响独具特色。轮指产生的具体出现时间至今无从考证,但它的出现和使用是随着琵琶先人们在历史长河的积累下发展而来的。最早见于清嘉庆年间记载有琵琶指法的《华秋苹琵琶谱》中,之后则是在《弦索琵琶艺术研究》中记载了民国时期的曹东扶等人曾弹奏“长轮”、“下出轮”和“上出轮”。由此可见,至民国时期轮指技巧已经发展较为完善并得到广泛应用。每一种演奏技法和不同的技巧所奏出的音色都是用以制造不同的音乐情趣。因此,笔者结合自己多年的演奏实践经验,探究种类繁多的轮指技法所产生音色丰富多样的原因。并且对轮指音色多样性在乐曲中实际应用的合理性进行了详细的分析论证。希望能对作曲家和演奏者们有一定的启发性。
[Abstract]:Wheel finger is a very important kind of pipa right hand playing technique, its sound has its own characteristics. There is no textual research on the specific appearance time of the rotation finger, but its appearance and use are developed with the accumulation of the pipa ancestors under the accumulation of the long history. It was first seen in Hua Qiuping Pipa Spectrum, which recorded pipa finger method in Jiaqing period of Qing Dynasty, and then Cao Dongfu and others played "long Wheel", "next Wheel" and "Upper Wheel" in string cable pipa Art Research. Thus it can be seen that the rotation finger technique has been developed and widely used in the period of the Republic of China. The timbre played by each playing technique and different skill is used to create a different musical interest. Therefore, combined with his many years of practical experience, the author explores the reasons for the rich and diverse timbre produced by a wide variety of rotating finger techniques. The rationality of the practical application of wheel finger timbre diversity in music is analyzed and demonstrated in detail. It is hoped that it will be instructive to composers and performers.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.33
本文编号：2508141
[Abstract]:Wheel finger is a very important kind of pipa right hand playing technique, its sound has its own characteristics. There is no textual research on the specific appearance time of the rotation finger, but its appearance and use are developed with the accumulation of the pipa ancestors under the accumulation of the long history. It was first seen in Hua Qiuping Pipa Spectrum, which recorded pipa finger method in Jiaqing period of Qing Dynasty, and then Cao Dongfu and others played "long Wheel", "next Wheel" and "Upper Wheel" in string cable pipa Art Research. Thus it can be seen that the rotation finger technique has been developed and widely used in the period of the Republic of China. The timbre played by each playing technique and different skill is used to create a different musical interest. Therefore, combined with his many years of practical experience, the author explores the reasons for the rich and diverse timbre produced by a wide variety of rotating finger techniques. The rationality of the practical application of wheel finger timbre diversity in music is analyzed and demonstrated in detail. It is hoped that it will be instructive to composers and performers.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.33
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