民歌声词关系与词牌、曲牌的产生——以四川民歌《月儿落西下》为例
发布时间：2019-07-15 09:09
【摘要】：在乡村民歌的原创阶段,歌者的因字行腔,令曲调的旋律走向与歌词的抑扬平仄相谐协,从而在更深层次上构建起乡村民歌声词关系,如四川民歌《月儿落西下》。该民歌因其流行时间长,流传范围广,民间借其曲调填写新词,自觉或不自觉地受其声词关系的影响,从而为歌词的格律化、民歌的曲牌化提供了可能。
[Abstract]:In the original stage of rural folk songs, the melody of tunes is in harmony with the suppression of lyrics, so that the relationship between rural folk songs and words can be constructed at a deeper level, such as Sichuan folk songs. Because of its long popular time and wide spread range, the folk fill in the new words by their tunes, consciously or unconsciously influenced by the relationship between the words, thus providing the possibility for the rhythmization of the lyrics and the composition of the folk songs.
【作者单位】： 四川师范大学文学院;
【分类号】：J607
本文编号：2514600
[Abstract]:In the original stage of rural folk songs, the melody of tunes is in harmony with the suppression of lyrics, so that the relationship between rural folk songs and words can be constructed at a deeper level, such as Sichuan folk songs. Because of its long popular time and wide spread range, the folk fill in the new words by their tunes, consciously or unconsciously influenced by the relationship between the words, thus providing the possibility for the rhythmization of the lyrics and the composition of the folk songs.
【作者单位】： 四川师范大学文学院;
【分类号】：J607
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