中国传统音乐“乐语”系统研究
发布时间：2019-07-24 15:29
【摘要】：作为人类最重要的交流符号,语言建构了我们的生存。作为音乐思想与行为的高度抽象和凝练,中国传统音乐文化在历史传承中积累的习语(或乐语),为其当事人主体对音乐的认知和实践经验的升华,是中国音乐"传统(民间)知识体系"的基本材料。对其进行系统收集和整理,有助于我们加深对传统音乐文化"是什么"和"为什么"的探讨。如果说以往我们借用西方音乐理论术语是遵从一种相似性原则,那么传统乐语的调查和记录,则是发现差异,并在差异中领悟使用者的文化观念、运用及音乐认知。尤其是在文化急速变迁导致音乐传承中断、音乐表达方式改变的现状下,花大力气建立在文献梳理与田野调查基础上的、中国各民族传统音乐自身的"语料库"迫在眉睫。
[Abstract]:As the most important communication symbol of human beings, language constructs our survival. As a highly abstract and condensed musical thought and behavior, the idiom (or musical language) accumulated in the historical inheritance of Chinese traditional music culture is the sublimation of the cognition and practical experience of the subject of music, and it is the basic material of the "traditional (folk) knowledge system" of Chinese music. The systematic collection and collation of it is helpful for us to deepen the discussion of what and why traditional music culture is. In the past, if we use western music theory terms to follow a principle of similarity, then the investigation and recording of traditional music languages is to find differences and understand the cultural concepts, applications and music cognition of users in the differences. Especially under the condition that the rapid change of culture leads to the interruption of music inheritance and the change of music expression mode, it is urgent to make great efforts to build on the basis of literature combing and field investigation.
【作者单位】： 上海音乐学院音乐学系;
【基金】：上海音乐学院音乐研究所2015年重点委约课题 2015年国家社科基金(艺术学)一般项目“中国传统音乐表演艺术与音乐形态关系研究”(项目编号:15BD042)系列论文之一
【分类号】：J607
本文编号：2518718
[Abstract]:As the most important communication symbol of human beings, language constructs our survival. As a highly abstract and condensed musical thought and behavior, the idiom (or musical language) accumulated in the historical inheritance of Chinese traditional music culture is the sublimation of the cognition and practical experience of the subject of music, and it is the basic material of the "traditional (folk) knowledge system" of Chinese music. The systematic collection and collation of it is helpful for us to deepen the discussion of what and why traditional music culture is. In the past, if we use western music theory terms to follow a principle of similarity, then the investigation and recording of traditional music languages is to find differences and understand the cultural concepts, applications and music cognition of users in the differences. Especially under the condition that the rapid change of culture leads to the interruption of music inheritance and the change of music expression mode, it is urgent to make great efforts to build on the basis of literature combing and field investigation.
【作者单位】： 上海音乐学院音乐学系;
【基金】：上海音乐学院音乐研究所2015年重点委约课题 2015年国家社科基金(艺术学)一般项目“中国传统音乐表演艺术与音乐形态关系研究”(项目编号:15BD042)系列论文之一
【分类号】：J607
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1 杨晓霭;;乐语口号的表演与近体诗在宋代的入乐[J];江海学刊;2008年01期
2 郭乃安;乐语探原:说“匣”[J];音乐研究;2000年04期
3 韩启超;;宋代乐语名实考辨[J];南京艺术学院学报(音乐与表演版);2006年01期
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，本文编号：2518718
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