关于“中国唱法”的几个问题

发布时间：2017-12-27 23:15

本文关键词：关于“中国唱法”的几个问题　出处：《艺术评论》2012年08期 　论文类型：期刊论文

【摘要】：正一、"中国唱法"的内涵界定上世纪90年代以来,以彭丽媛、宋祖英、谭晶、阎维文、戴玉强、廖昌永等为代表的"跨界唱法"在中国声乐界得到越来越多的关注和青睐。这种有别于传统美声、民族、通俗三种唱法又融合各自长处与优点的新唱法,人们多冠以"中国唱法"或"新民族唱法"。但到底何谓"中国唱法",却见仁见智。界定好"中国唱法"这一概念,不能不先搞清何谓"唱法"。作为声乐学的一个重要词汇,顾名思义,唱法是指歌唱的风格和方法。按照专业术语解释,则是语言在音乐旋律上的延长、旋转和变化,也可以说是歌唱行为规则的总称,是歌唱的标准、典范。一般
[Abstract]:Since the 90s of the 20th century, the "crossover singing method" represented by Peng Liyuan, Song Zuying, Tan Jing, Yan Weiwen, Dai Yuqiang and Liao Changyong has attracted more and more attention and favor in the Chinese vocal circles. This new singing method, which is different from the traditional singing, national and popular three kinds of singing methods, and combines their advantages and advantages, is mostly called "Chinese singing" or "new national singing". But what is a "China singing", but Different people, different views. To define the concept of "Chinese singing", we must first make clear what the "singing method" is. As an important vocabularies of vocal music, as the name suggests, singing refers to the style and method of singing. According to professional term explanation, it is the extension, rotation and change of language on music melody, or the general rule of singing behavior rule, and the standard and paradigm of singing. commonly
【作者单位】：泰州师范高等专科学校音乐学院;南京艺术学院;
【分类号】：J616.2
【正文快照】： 一、“中国唱法”的内涵界定上世纪90年代以来,以彭丽媛、宋祖英、谭晶、阎维文、戴玉强、廖昌永等为代表的“跨界唱法”在中国声乐界得到越来越多的关注和青睐。这种有别于传统美声、民族、通俗三种唱法又融合各自长处与优点的新唱法,人们多冠以“中国唱法”或“新民族唱法

【共引文献】