形体语言在歌唱表演中的美学意义
发布时间:2018-01-06 12:39
本文关键词:形体语言在歌唱表演中的美学意义 出处:《南京艺术学院》2008年硕士论文 论文类型:学位论文
【摘要】: 歌唱艺术中的形体表演是歌唱主体心理活动的外部流露,也是调动、再现主体情感的有力手段,是向观众传达作品内涵及情感的重要桥梁。歌唱中形体表演技术的获得不能一蹴而就,需要通过训练来提高。为了进一步研究声乐表演基础理论,挖掘形体表演内在的规律,特提出本课题的研究。本文采用了比较研究、实证研究以及理论联系实际的方法,通过借鉴戏曲、戏剧等姐妹表演艺术形式,以及对歌曲及歌剧表演的实例分析,从理论梳理到演唱实践探索歌唱艺术中的形体表演的规律以及形体表演的注意事项。
[Abstract]:The body performance in the singing art is not only the external outpouring of the psychological activities of the singing subject, but also the powerful means to mobilize and reproduce the subject's emotion. It is an important bridge to convey the connotation and emotion of the works to the audience. In order to further study the basic theory of vocal music performance, the acquisition of body performance technology can not be achieved overnight, and it needs to be improved through training. This paper uses comparative research, empirical research and the method of combining theory with practice, through drawing lessons from drama, drama and other sisterly performing art forms. This paper also analyzes the examples of song and opera performance, from theoretical combing to singing practice to explore the law of body performance in singing art and the matters needing attention in body performance.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J616
【参考文献】
相关期刊论文 前1条
1 吴杏德;论文学与音乐的亲和关系[J];十堰职业技术学院学报;2001年03期
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