房中祠乐源流考

发布时间：2018-01-14 03:02

本文关键词：房中祠乐源流考　出处：《求索》2012年03期 　论文类型：期刊论文

【摘要】："房中祠乐"最早见于《汉书》,为汉高祖唐山夫人的作品,至迟在汉末,世人对其来龙去脉以及应用场合等问题已不甚了解。本文通过详审的考辩,解决了以下几个内容:第一,创作时间,房中祠乐创作于汉高祖六年前后。第二,施用地点及应用场合,房中祠乐最初是宫中举行"杂祭祀"时使用的音乐,所祀之神种类繁多;其后成了朝贺置酒之时使用的音乐,属于宴飨音乐;至东汉时,随着西汉礼乐的凌迟,房中祠乐方成为宗庙上的祭祀音乐。第三,房中祠乐与周之《房中乐》并无关联,作为其源头的古乐,应该是周代的《大武》。
[Abstract]:"Fangzhong Temple Music" was first found in "Han Shu", which is the work of Tang Shan, the Han Dynasty's ancestor. By the end of the Han Dynasty, the world did not know much about its origin and application. The following contents have been solved: first, the time of creation, the temple music in the house was created about six years ago in the Han dynasty. Second, the place and the application place of the temple music in the house was originally the music used in the palace when holding "miscellaneous sacrifice". There are many kinds of gods to be worshipped; After that, it became the music used in the time of drinking and drinking, which belongs to the music of banquet and dinner. In the Eastern Han Dynasty, with the Ling Chi of the Western Han ritual music, the temple music in the house became the sacrificial music on the temple. Third, the temple music in the house was not related to the music in the Zhou Dynasty, which was the source of the ancient music. It should be the Dawu of the Zhou Dynasty.
【作者单位】：四川大学文学与新闻学院;
【分类号】：J609.2
【正文快照】： 《汉书·礼乐志》载:“又有房中祠乐,高祖唐山夫人所作也。周有《房中乐》,至秦名曰《寿人》,凡乐,乐其所生,礼不忘本,高祖乐楚声,故《房中乐》楚声也。孝惠二年,使乐府令夏侯宽备其箫管,更名曰《安世乐》”①,其后收录《安世房中歌》十七章。其后收录了篇幅达十七章的《安世

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