太康道情戏音乐及其表演艺术研究

发布时间：2018-01-14 17:38

本文关键词：太康道情戏音乐及其表演艺术研究　出处：《河南大学》2008年硕士论文　论文类型：学位论文

【摘要】： 本文从太康道情戏的历史沿革、音乐、表演艺术这三个方面进行了初步的研究和探索。全文除了绪言和结语外,共分为三个部分。第一部分太康道情戏的历史沿革。笔者通过对相关历史文献、现存的音乐形态及民间艺人的口传史料,分析研究了太康道情戏的音乐的历史渊源,形成和发展。第二部分太康道情戏的唱腔音乐。太康道情唱腔体系及其形成有一个具体的历史过程。作为曲艺说唱时期对曲牌的运用到戏曲时期对部分曲牌的废弃;借鉴其他剧种的板式,加上对其他剧种音乐的借鉴、吸收、运用也有其过程和文化背景。较为详细的梳理认证了太康道情戏的音乐特点与音乐结构。它是以各种不同的唱腔板式与节奏变化为其发展曲调的基础,也是道情音乐进入戏剧化的基本表现方式。它的演唱速度有板腔体所共有的慢、中、快、散等多种节奏形式。第三部分太康道情戏的表演艺术。太康的戏曲表演,自明清开始,就出现了多姿多彩的绚丽局面。不同的声腔艺术表演在自身的独立发展道路上,相互吸收,逐步产生了不同剧种的不同表演艺术。道情表演艺术具有浓厚的地方乡音色彩,继承发展了其它剧种所不具备的表演特色。
[Abstract]:This paper makes a preliminary study and exploration of the three aspects of the historical evolution , music and performing arts of Taikang Taoist opera . The whole text is divided into three parts except the introduction and the conclusion . The author analyses the historical origin , formation and development of the music of Taikang Taoist drama by analyzing the relevant historical documents , the existing music form and the oral history of folk artists . The Song Dynasty music of the second part is Taikang Daoqing opera . It has a specific historical process in the Song Dynasty . It is used for reference , absorption and use of other kinds of music . It is the basis of the development of music and the basic expression of Taoist music . It is the slow , medium , fast and scattered rhythm of the board cavity . The third part is the performance art of Tai Kang Daoqing opera . It starts from the Ming and Qing Dynasties , and has a colorful and colorful situation . The different sound cavity art performances are absorbed by themselves on their own independent development paths and gradually produce different performing arts of different kinds .

【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J617.5

【引证文献】