五声性调式和声的风格特征及成因研究

发布时间：2018-01-16 17:29

本文关键词：五声性调式和声的风格特征及成因研究　出处：《湖南师范大学》2007年硕士论文　论文类型：学位论文

【摘要】： 近一个世纪以来，在五声性调式和声从萌芽到发展的进程中，如何保持和声的民族风格，如何把传统大小调和声与我国的五声性音乐进行有机结合，一直是众多音乐家们在探索的问题。从萧友梅、黄自、赵元任开始，贺绿汀、江定仙、张肖虎、黎英海、赵宋光、桑桐、罗忠昒、樊祖荫等一大批的音乐家投入到了这一领域的研究中去，他们或撰文从理论上进行探讨与总结，或直接进行具有创新性地创作，取得了很大的成就。把握和声的民族风格特征是五声性调式和声的核心和灵魂，如何把握好这种风格使其既有五声性特征又要具有时代性，和声的手法是关键，，也就是说如何运用好我国民族音乐中五声性音乐的一些手法，以及如何把传统的和声手法进行合理的改造而加以运用。本文就是以五声性调式和声的手法为着眼点，从六个方面对这些手法与如何保持和声的五声性风格之间的关系进行较为全面的阐述和总结。五声性调式和声的发展过程及成因是本文研究的另一方面，和声的“民族化”经历了一个曲折的发展过程，而且还将在不断地继承和创新中发展下去，弄清这一发展进程及原理为日后更好地进一步发展和创新五声性调式和声打下良好的基础。尽管五声性调式和声尚未形成一个完整而规范的体系，但在不断发展的过程中已逐渐茁壮成长起来，不久的将来定能长成参天大树，因而在民族音乐领域里对五声性调式和声无论是进行实践创作还是理论研究，都有其历史价值和现实意义。
[Abstract]:In the past century, how to maintain the national style of harmony and how to combine the traditional harmony in big and small major with the pentatonic music in the process from the germination to the development of pentatonic harmony. From Xiao Youmei, Huang Zi, Zhao Yuanren, he Luting, Jiang Dingxian, Zhang Xiaohu, Li Yinghai, Zhao Songguang, Sang Tong, Luo Zhongyu. A large number of musicians, such as Fan Zuyin, have been involved in the research in this field, and they have made great achievements by writing articles to discuss and summarize in theory, or to create innovatively directly. Grasping the national style characteristics of harmony is the core and soul of pentatonic harmony. How to grasp this style well makes it have both the characteristic of pentatonic and the character of the times, the key of harmony is the technique of harmony. That is to say, how to make good use of some techniques of pentatonic music in Chinese folk music. And how to carry on the reasonable transformation and the application of the traditional harmony technique. The relationship between these techniques and how to maintain the pentatonic style of harmony is expounded and summarized from six aspects. The development process and cause of formation of pentatonic harmony is the other side of this study. The "nationalization" of harmony has undergone a tortuous development process, and will continue to develop in succession and innovation. The understanding of this development process and principle will lay a good foundation for further development and innovation of pentatonic harmony in the future. Although the pentatonic harmony has not yet formed a complete and standardized system, but in the process of continuous development has gradually grown up, will be able to grow into giant trees in the near future. Therefore, in the field of folk music, it is of historical value and practical significance to study the pentatonic harmony both in practice and in theory.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J614.1

【引证文献】