根据传统器乐曲改编钢琴曲探索民族化的钢琴音乐语言
发布时间:2018-01-29 22:31
本文关键词: 传统器乐曲改编钢琴曲 创作背景 音色 改编曲织体的钢琴化及结构的发展 和声 意境 出处:《江西师范大学》2007年硕士论文 论文类型:学位论文
【摘要】: 传统器乐曲改编钢琴曲创作在特定的历史背景下,作曲家们利用仅有的一点空间和前人的创作经验,,进行着中国传统器乐曲改编钢琴曲的创作。这类标题性的改编曲主要是建立在我国丰富的民族音调上,体现了中国传统音乐文化的精髓,对推动中国钢琴事业的发展具有深远的影响;为了更加深入地探究和领略它的神韵,本文对传统器乐曲改编钢琴曲的创作背景及艺术创作手法进行了探讨。重点在于对中国作曲家在改编创作中运用的区别于西方钢琴传统文化、具有中国传统特色的音乐元素予以浅析。
[Abstract]:The traditional instrumental music adapts the piano music creation under the specific historical background, the composer uses only a little space and the predecessor's creation experience. This kind of title adaptation is mainly based on the rich national tone of our country, which embodies the essence of Chinese traditional music culture. To promote the development of China's piano industry has a far-reaching impact; In order to explore and appreciate its charm more deeply. This paper probes into the background and artistic creation of the traditional instrumental music adapted piano music. The emphasis is on the difference between the Chinese composer and the western traditional piano culture in the adaptation creation. The musical elements with Chinese traditional characteristics are analyzed.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:J624.1
【引证文献】
相关期刊论文 前1条
1 聂卓;;试析中国古曲在钢琴演奏中表现出的美学意蕴[J];作家;2011年22期
本文编号:1474520
本文链接:https://www.wllwen.com/wenyilunwen/yinyuetheory/1474520.html