从《碧落子斫琴法》看唐宋琴制之演变

发布时间：2018-02-27 16:24

本文关键词： 古琴琴制唐宋石汝砺雷震张越　出处：《中国音乐》2012年04期 　论文类型：期刊论文

【摘要】：《碧落子斫琴法》是北宋琴人石汝砺所撰写的一篇有关斫琴的文献。在这篇斫琴文献中,不仅有较为详尽的宋代古琴琴面、琴背以及槽腹中各部位的相关尺寸,更为重要的是,其中还保存有唐代斫琴名家雷震、张越之琴的实际尺寸记录,及其与宋代斫琴尺寸的比对性文献。本文以中国艺术研究院音乐研究所藏稽瑞楼抄本为底本,参校国家图书馆藏铁琴铜剑楼原本,以期揭示唐宋琴制的演变及"唐圆宋扁"的外形变化之中所蕴含的声学原理。
[Abstract]:The "Biluozi method" is a document written by Shi Ruli, a harp man in the Northern Song Dynasty. In this document, there are not only more detailed aspects of the ancient Qin in the Song Dynasty, but also the relevant dimensions of the various parts of the Qin's back and grooves. More importantly, Among them are the records of the actual dimensions of the famous Qin artists Lei Zhen and Zhang Yue in the Tang Dynasty, and their comparative documents with those of the Song Dynasty. This paper takes the copy of Ji Ruilou of the Institute of Music of the Chinese Academy of Art as the base. In order to reveal the evolution of the Qin system in Tang and Song dynasties and the acoustic principle contained in the changes in the shape of "Tang Yuan and Song flat", the National Library of the United Nations has collected the original building of iron harp and bronze sword.
【作者单位】：中国音乐学院"中国乐器博物馆项目组";
【分类号】：J609.2

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