弦乐四重奏音准初探

发布时间：2018-03-06 20:45

本文选题：弦乐四重奏　切入点：音准　出处：《上海音乐学院》2007年硕士论文　论文类型：学位论文

【摘要】： 在弦乐四重奏的演奏中，音准是一个较为复杂的问题，涉及乐曲调性、旋律、和声等多方面的因素。为了提高音准的把握性，如何使演奏者在理论与实践中找到一定依据，，建立起“同一性”的音准认知与处理方法是十分重要的。本文试图就弦乐四重奏音准问题展开初步探讨，希望能为演奏者掌握重奏音准提供一个基本的操作框架。文章主体由三个章节组成。第一章“音律的基本概念”讲述三种常用音律的音高特点及使用范畴。第二章“重奏音准的基本构成”主要采用音律与演奏相结合的方式对音阶的基本排列、临时变音的基本处理等方面进行探讨。第三章“排练中的音准问题”主要通过谱例说明实际演奏中的音准处理与解决方式。最后于结论中小结文章内容与笔者观点。
[Abstract]:In the performance of string quartet, timbre is a complicated problem, which involves many factors, such as tone, melody, harmony and so on. In order to improve the mastery of sound, how to make the player find a certain basis in theory and practice, It is very important to establish the recognition and processing method of "identity". The main body of the article consists of three chapters. The first chapter, the basic concept of the rhythm, describes the pitch characteristics of the three commonly used rhythms and the categories of their use. Chapter "the basic composition of the accent" mainly adopts the combination of rhythm and performance to arrange the scale. The third chapter, "phonetic problems in rehearsals", mainly explains the processing and solving methods of timbre in actual performance by spectrum examples. Finally, it concludes the content of the article and points out the author's point of view.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J622.1

【引证文献】