贺绿汀声乐作品和声技法分析
发布时间:2018-03-09 23:36
本文选题:贺绿汀 切入点:声乐作品 出处:《电影文学》2008年10期 论文类型:期刊论文
【摘要】:贺绿汀的和声写作,总体上是归纳在大小调功能范围内进行的。但是他有独到的"民族化法",常常由于一些细微的、精到的和声处理,避免了功能结构与民族音调之间风格的矛盾。对贺绿汀先生声乐作品和声技法进行分析,主要集中在弦结构特点、和声进行特点以及调式调性布局与转调特点三个方面,以此从他的艺术成就中获取启示,为创作更多更好为群众所接受、富有时代性、民族性和鲜明个性的音乐作品,提供宝贵经验。
[Abstract]:He Lvting's writing of harmony is generally carried out within the scope of his function in large minor major. But he has a unique "nationalization law", often due to some subtle, sophisticated harmony handling. The contradiction between the functional structure and the national tone is avoided. The analysis of the harmony techniques of Mr. He Lvting's vocal music works mainly focuses on three aspects: the characteristics of string structure, the characteristics of harmony, the arrangement of tone and the characteristics of tone conversion. In order to obtain inspiration from his artistic achievements and provide valuable experience for the creation of more and more music works which are accepted by the masses, rich in times, nationality and distinctive personality.
【作者单位】: 惠州学院
【分类号】:J616
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2 常受宗;我对贺绿汀有关民族音乐教育思想的理解——兼评《要尊重事实,以理服人》[J];人民音乐;1980年01期
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