中国古代琴僧及其琴学贡献

发布时间：2018-03-21 11:41

本文选题：古代琴僧　切入点：文人化　出处：《中国艺术研究院》2007年博士论文　论文类型：学位论文

【摘要】： 在中国古琴文化的发展历史上，琴僧是一个不容忽视的群体，，他们是琴乐和佛教两种传统文化的传播者和继承者，而这两种文化都具有悠久的历史和深厚的底蕴。因此对于琴僧的研究有利于更为全面地了解古琴文化的历史和发展，进而对中国古典艺术和传统文化的内在关联深入探究。论文以中国古代社会中的僧人古琴家为研究对象，通过对历史资料的梳理和分析，考察琴僧连接古琴音乐和佛教文化的桥梁作用及重要的历史贡献。论文由琴僧群体研究、琴僧代表及对琴学的继承与发扬两大部分组成。第一部分包括“琴僧的产生及其文化背景”、“古代琴僧历史述略”、“排斥与融合：古琴文化中的思想冲撞”三章，对中国古代社会中出现的僧人弹琴现象，以及他们的古琴艺术活动进行历时性的梳理，并根据史料，分析论证琴僧群体产生的深层规律。其中对明清琴论中的排佛现象，以及“三教合一”的历史现象及其对古琴音乐的影响作较为细致的探讨。论文第二部分包括“琴僧在演奏理论、斫琴法和琴歌创作方面的贡献”、“《枯木禅琴谱》研究”两章，选择在琴学界做出重要贡献的僧人代表则全和尚、僧居月、东皋禅师和空尘和尚作为切入点，具体深入地分析他们在古琴艺术的不同领域所作出的成绩和在琴界的影响。在对《枯木禅琴谱》的研究中，从琴谱考证、作者考证、琴谱内容、创作琴曲四个方面着手，分析并肯定释空尘在古琴音乐的传播和继承方面所作出的贡献。
[Abstract]:In the history of the development of ancient Chinese Qin culture, Qin monks are a group which can not be ignored. They are the disseminators and successors of the two traditional cultures of piano music and Buddhism. These two cultures both have a long history and a deep inside story. Therefore, the study of Qin monks is conducive to a more comprehensive understanding of the history and development of the ancient Qin culture. The paper takes the monk Guqin in the ancient Chinese society as the research object, through combing and analyzing the historical data, the paper makes a deep research on the internal relation between the Chinese classical art and the traditional culture. To investigate the bridge between ancient music and Buddhist culture and important historical contributions. The thesis is studied by the group of Qin monks. The first part includes three chapters: "the emergence and cultural background of Qin monks", "A brief account of the history of ancient monks", "exclusion and integration: ideological collision in ancient Qin culture". A diachronic combing of the phenomenon of monks playing the harp and their artistic activities in ancient Chinese society, and according to the historical data, the deep rules of the formation of the group of monks are analyzed and demonstrated. Among them, the phenomenon of eliminating Buddhas in the theory of the Ming and Qing dynasties is analyzed. And the historical phenomenon of "three religions in one" and its influence on the music of Guqin are discussed in detail. The second part of the thesis includes two chapters: "the theory of playing, the contribution of the monk to the making of the harp method and the composition of the piano song", and the study of the dead wood piano Zen. The representatives of monks who have made important contributions in the field of piano science are all monks, monks living in the month, Donggao Zen Master and Dust Monk as the entry point. They have made a thorough analysis of their achievements in different fields of ancient Qin art and their influence in the field of piano. In their research on the "dead wood Zen piano", they have started from four aspects: textual research on the music of the instrument, textual research of the author, content of the music of the instrument, and creation of the piano music. To analyze and confirm the contribution of the Dust in the dissemination and inheritance of Guqin music.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2007
【分类号】：J632.31

【引证文献】