肖斯塔科维奇弦乐四重奏中的作曲技法

发布时间：2018-03-23 23:34

本文选题：主题　切入点：和声　出处：《山西大学》2007年硕士论文

【摘要】： 在20世纪西方各音乐流派中，肖斯塔科维奇很难归类，他并不坚持任何特定的流派，却仍然创造了他自己自己独特的风格。他的音乐语言根基是传统的、有调性的，但为了表现的需要也使用不协和音响与偶然的无调性。他的创作体裁涉及各种门类，如歌剧、舞剧、大合唱、为各种乐器而写的协奏曲、钢琴与弦乐室内乐、弦乐四重奏、钢琴独奏、电影配乐(36部)、戏剧配乐(11部)、各种声乐曲等。本论文选取了肖氏十五首弦乐四重奏中的六首(第一、二、四、五、七、八首)作为研究方向，其目的在于通过对作品中的主题、和弦结构、和声序进、调性布局、曲式结构等进行详细的研究后，归纳总结出肖氏在作曲技法上的共性手法和个性手法，学习他怎样把传统与革新结合、把民族精神与现代风格结合，以指导我们在今后的实践创作中，如何扎根于传统并运用中国民族民间音乐元素与国际语言相结合，创作出更多更好的既具有民族神韵又富有现代气息的新作品。该论文研究内容分为四部分：第一部分为主题研究：一方面从主题的取材、调式、风格方面将肖氏弦乐四重奏中的主题进行了分类，如大小调风格的主题、具有俄罗斯民族风格的主题、强调特性音程创作的主题等等；另一方面，对主题的发展手法进行了研究，如对于主题动机的调内模进、远关系调外模进及主题的变形手法等等。第二部分为和声研究：一方面罗列了肖氏弦乐四重奏中完全鉴于纵向思维的多种和弦结构，其中有传统的，如三度叠置、三度叠置加附加音的、也有近现代和弦结构，如音块式和弦、小二度与纯四度叠置的；另一方面把肖氏弦乐四重奏中的鉴于横向思维的持续性因素、平行因素、线性和声、半音化声部进行等等也做了详细的分类研究。第三部分为调性研究：一方面列举了作品中在传统功能和声消逝后的新的调性呈现方式；一方面对肖氏在宏观上与微观上所设计的调性布局、调性衔接特点做了分类研究。第四部分为曲式研究：这一部分对这六首弦乐四重奏的全部曲式结构进行了分析。写作该论文的过程中，笔者一方面对乐谱进行详细的分析；一方面利用计算机音频技术将每首作品的音响资料细分到乐段、乐句、甚至于乐节的规模去仔细听辩，，通过谱面资料和音响资料的逐一详细对照，真正切身感受到了肖氏那些独特的、绝妙的传统与现代相结合、民族音乐与国际语言相结合的作曲技法赋予音乐的极大魅力。
[Abstract]:In twentieth Century, the various schools of western music, Shostakovich is hard to classify, he did not adhere to any particular genre, but still created his own style. His musical language is the foundation of the traditional tonality, but in order to show the need to use the inconsonance acoustics and occasional atonality. His creative style involves a variety of categories, such as opera, dance, chorus, for all kinds of instruments to write the Concerto, piano and String Quartet, chamber music, piano solo, Soundtrack (36), incidental music (11), vocal music. This thesis chooses the Shaw String Quartet in fifteen the first six (first, second, four, five, seven, eight) as the research direction, its purpose is through the works on the theme, chord structure, harmonic sequence, layout mode, detailed study of structure, summed up the shore in composition techniques The common law practices and individual learning techniques, he how to tradition and innovation with the national spirit and the combination of modern style, to guide our practice in the future work, how to use Chinese and rooted in the traditional folk music elements and international language combination, innovation to make more and better works with national spirit and full of modern flavor.
The research content of this paper is divided into four parts:
The first part is the research topic: on the one hand drawn from the theme of the style, style will Shaw String Quartet in subject categories, such as major and minor style theme, with the Russian national style theme, emphasizing the characteristics of interval creation theme and so on; on the other hand, the development of the theme of manipulation for the study, such as motifs within the key, deformation technique remote keys mode into and theme and so on.
The second part is the study of Harmony: on the one hand, a list of Shaw's String Quartet in full in view of a variety of chord structure vertical thinking, which are traditional, such as three stacked, stacked three degrees plus additional sound, there are also modern chord structure, such as the sound block chords, second degree and four degree of purity stacked; on the other hand the Shaw String Quartet in the view of sustainability factors, lateral thinking parallel factors, linear harmony, chromaticism voice and so on also made a detailed study of the classification.
The third part is the study of tonality. On the one hand, it lists the new way of tonality presentation in the works after the loss of traditional function and harmony. On the one hand, it makes a classified research on the characteristics of tonality and layout in terms of macro and micro design.
The fourth part is the study of the musical style: this part analyses all the composition of the six string quartets.
In the process of writing the thesis, the author made a detailed analysis of the music; use a computer audio technology each song sound data segments to passage phrases, even the size of the music festival to listen carefully to debate, by spectral data and audio data in detail control, really feel Shaw the unique and wonderful combination of traditional and modern, national and international music language combined with composing techniques given the great charm of music.

【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J614

【引证文献】