雷格尔的三首性格变奏曲分析

发布时间：2018-03-31 01:19

本文选题：雷格尔　切入点：变奏曲　出处：《交响-西安音乐学院学报》2008年02期

【摘要】：变奏曲与赋格曲在马克斯·雷格尔全部的作品中占有相当的数量和分量,是其一生非常感兴趣并投入了极大精力的重要创作体裁。其中《巴赫主题变奏曲和赋格曲》以巴赫的康塔塔《基督升天记》中的主题为基础创作而成,使用了"动机变奏"原则,实现了复调意义上的动机变奏的全新形式;而在《贝多芬主题变奏曲和赋格曲》中,他将主题分解成一些小的片断,从中提取、衍生,使之成为变奏曲的发展资源;《莫扎特主题变奏曲和赋格曲》里的大多数变奏,则是在基本布局上增加一个或更多的声部而构成的。
[Abstract]:Variations and fugue occupy a considerable number and weight in all of Max Ragger's works, and they are an important creative genre in which he is very interested and devoted great effort in his whole life.Among them, "Bach theme Variations" and "Fugue" are based on the theme of Bach's Contata "the Book of Ascension of Christ", which uses the principle of "motive variation" and realizes the new form of motivation variation in the sense of polyphony.And in Beethoven's thematic variations and fugue, he decomposes the theme into small pieces, extracts it and makes it a resource for the development of variations; most of the variations in Mozart's thematic variations and fugue.It is formed by adding one or more parts to the basic layout.
【作者单位】：大连市音乐家协会;
【分类号】：J614

【共引文献】