麦克道威尔与第二新英格兰学派比较研究

发布时间：2018-04-22 18:23

本文选题：麦克道威尔 + 第二新英格兰学派　；参考：《厦门大学》2007年硕士论文

【摘要】： 本文是一篇针对十九与二十世纪之交美国音乐史重要作曲家麦克道威尔和第二新英格兰学派从多个方面进行比较的研究论文。本文意在通过从不同角度对两者进行比较分析和总结,找出两者的风格异同点,从而对什么特点使麦克道威尔赢得了更多音乐史学家的赞誉,什么事件使麦克道威尔被认为是这个时代美国最伟大的作曲家,因而被认为是一个时代的总结等这些问题有进一步深入的了解。虽然两者在许多方面有相似的地方,但是做为一个音乐诗人,麦克道威尔将音乐看作是灵魂的语言,用他特有的文学思路开创了独特的创作手法。一场音乐民族主义思潮的激辩中,他对音乐民族主义的观点也具有开创性的意义。这些最终使麦克道威尔不仅成为一个美国式浪漫主义的缩影,更是一个旧时代总结和新时代到来的里程碑式的人物。
[Abstract]:This paper is a comparative study of the important American music composer McDowell and the second New England School at the turn of the nineteenth and twentieth centuries. The purpose of this paper is to find out the similarities and differences between the two styles through comparative analysis and summary from different angles, so as to win more praise from music historians for what characteristics McDowell has won. What makes McDowell the greatest American composer of this era and thus the summary of the era has a deeper understanding of these issues. Although they are similar in many ways, as a music poet, McDowell regards music as the language of the soul and creates a unique creative technique with his unique literary ideas. In a fierce debate of musical nationalism, his views on musical nationalism are also groundbreaking. These make McDowell not only a epitome of American Romanticism, but also a landmark figure of the old era and the arrival of a new era.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J609.712

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