舒曼两部钢琴小品套曲研究

发布时间：2018-04-23 06:56

本文选题：舒曼 + 钢琴小品套曲　；参考：《河北师范大学》2008年硕士论文

【摘要】： 罗伯特·舒曼是德国杰出的作曲家、钢琴家、音乐评论家,是浪漫主义音乐的代表人物,被后人称为“诗人音乐家”。在舒曼坎坷、短暂的一生中,他写了大量具有浪漫主义风格的作品。特别是在钢琴音乐方面,他不仅第一个将几首独立的小曲按照一定的构思组合成一个相对完整的艺术整体——套曲,并且把这一形式发挥的淋漓尽致。舒曼的钢琴小品套曲内涵深刻,许多作品是受到文学作品的启发和影响而产生,这使他的音乐具有诗意和文学的意味;而他的创作技巧,主要是由自学而来,再加上浪漫乐派崇尚自由,突破传统的理念,因而,造成舒曼的钢琴作品在节奏、和声、旋律等各方面,显示出独特的音乐语言和艺术风格。这些特点,使得舒曼的钢琴作品在教学领域具有不可替代的重要意义。因此本文试图以舒曼创作的具有代表性的两部钢琴小品套曲《蝴蝶》(op2)和《童年情景》(op15)作为研究对象,全面把握他钢琴小品套曲的音乐风格和创作理念,并深入剖析舒曼钢琴小品套曲的演奏技巧。通过对这两部作品详细、深入地分析,探究舒曼钢琴小品套曲的演绎方法和教学意义,引起人们对舒曼钢琴小品套曲的关注。论文主要从三个方面展开论述: 第一章介绍舒曼的生平及他在钢琴音乐方面的成就。以舒曼一生的经历和钢琴音乐创作为背景,为后文深入全面地探讨舒曼的钢琴小品套曲打下基础。在这一章中,舒曼的生平分为了少年时期、创作时期和德累斯顿三个时期;舒曼的钢琴音乐创作主要是从他的钢琴音乐创作的三个阶段和主要形式进行的论述。并列出了所有的钢琴小品套曲。第二章论述舒曼钢琴小品套曲独特的艺术风格特征。从它独特的标题性、隐喻性和独特的音乐语汇特征三个方面入手,细致分析了舒曼钢琴小品套曲的艺术风格特征。其中的音乐语汇特征又从节奏、旋律、织体、和声、调性、其他独创之处这六个方面进行了分析和研究。第三章论述《蝴蝶》(op2)和《童年情景》(op15)这两部作品的乐曲分析和演奏分析。这是在实际的演奏中把握舒曼钢琴套曲的风格特征和演绎方法。每部作品分别从作品简介、乐曲及演奏分析、曲目组合及演奏重点三个方面进行论述。
[Abstract]:Robert Schumann is an outstanding German composer, pianist, music critic and representative figure of romantic music. In Schumann's rough, short life, he wrote a lot of Romantic style works. Especially in piano music, he is not only the first to combine several independent songs into a relatively complete artistic ensemble according to a certain conception, but also to give full play to this form. Schumann's piano repertoire has a profound connotation, and many of his works are inspired and influenced by literary works, which makes his music poetic and literary, while his creative skills come mainly from self-study. In addition, romantic music advocates freedom and breaks through the traditional idea. Therefore, Schumann's piano works show unique musical language and artistic style in the aspects of rhythm, harmony, melody and so on. These characteristics make Schumann's piano works have irreplaceable significance in the field of teaching. Therefore, this paper attempts to study the two typical piano pieces, "Butterfly" (Op2) and "Childhood scene", by Schumann, in order to grasp his musical style and creative idea. And deeply analyze the performance skills of Schumann's piano ensemble. Through the detailed and in-depth analysis of these two works, this paper probes into the deductive method and teaching significance of Schumann's piano sketch suite, and draws people's attention to Schumann's piano sketch suite. The thesis mainly discusses from three aspects: The first chapter introduces Schumann's life and his achievements in piano music. Taking Schumann's life experience and piano music creation as the background, it lays the foundation for the further thorough discussion of Schumann's piano composition. In this chapter, Schumann's life is divided into three periods: juvenile period, creative period and Dresden period; Schumann's piano music creation is mainly discussed from three stages and main forms of his piano music creation. All the piano pieces are listed. The second chapter discusses the unique artistic style features of Schumann's piano ensemble. Starting with its unique title, metaphor and unique musical lexical features, this paper analyzes in detail the artistic style features of Schumann's piano ensemble. The musical lexical features are analyzed and studied from six aspects: rhythm, melody, texture, harmony, tonality and other originality. The third chapter discusses the music analysis and performance analysis of "Butterfly" (Op2) and "Childhood scene" ("Pian op15"). This is to grasp the style characteristics and deductive method of Schumann piano suite in the actual performance. Each work is discussed from three aspects: the introduction of the work, the analysis of the music and performance, the composition of the repertoire and the emphasis of the performance.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J624.1

【参考文献】