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台湾高山族乐器研究

发布时间:2018-04-23 16:34

  本文选题:台湾高山族 + 乐器研究 ; 参考:《南京艺术学院》2008年博士论文


【摘要】: 本文以几代中外学者主要文献和报告资料之成果为基础,对高山族传统器乐和音乐文化进行了梳理,其中研究方法是以民族音乐学的实际调查,将所获第一手材料和前人所研究进行了比较和分析。同时提出“以乐器、歌喉和舞蹈的肢体动作为一体”的不同研究宗旨,强调以乐器为研究主体,藉由重新论定乐器地位,诠释高山族音乐体系。 全文从高山族乐器形制来源与演变以及歌、舞、乐为一体在各族社会中的运用和表现情形进行了较为具体的阐释。 本文部份内容是针对高山族传统器乐的文化内涵和功能与大陆南方诸族同类乐器进行了对比研究,并将外来政权统治以及外来文化等因素之影响下,各族乐器和音乐文化受到的冲击、互动与保存现况进行了论证。最后针对排湾族口、鼻笛音准、音域、调性以及音量等进行了改良以达到保存传统之面貌,又能与现代器乐接轨为原则,并针对高山族乐器文化的保存、推广、传承与发展提出了具体地建言。
[Abstract]:Based on the achievements of several generations of Chinese and foreign scholars' main documents and reports, this paper combs the traditional instrumental music and music culture of the Gaoshan nationality, among which the research method is based on the actual investigation of ethnomusicology. The first-hand materials obtained are compared and analyzed with previous studies. At the same time, it puts forward the different research purposes of "the body movement of musical instrument, singing and dancing", emphasizes the musical instrument as the research subject, and interprets the music system of the Gaoshan nationality by re-discussing the status of the musical instrument. This paper explains the origin and evolution of Gaoshan musical instruments and the application and expression of songs, dances and music in the society of all nationalities. Part of the content of this paper is to compare the cultural connotation and function of the Gaoshan traditional instrumental music with the similar instruments of the southern peoples of the mainland, and under the influence of foreign political power and foreign culture, etc. The impact, interaction and preservation of musical instruments and music cultures of all ethnic groups are demonstrated. Finally, aiming at the Paiwan people's mouth, nasal flute, range, tone, volume and so on, it has been improved to preserve the traditional appearance, and can be connected with the modern instrumental music as the principle, and aiming at the preservation and promotion of the Gaoshan nationality musical instrument culture, Inheritance and development put forward specific suggestions.
【学位授予单位】:南京艺术学院
【学位级别】:博士
【学位授予年份】:2008
【分类号】:J607

【引证文献】

相关博士学位论文 前2条

1 张晓娟;中国弦乐史研究六十年(1949-2009)[D];福建师范大学;2010年

2 梅英;传播学视域下佤族木鼓文化源承模式研究[D];西南大学;2012年



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