道教太极图与琵琶艺术“体圆和”之关联

发布时间：2018-04-29 13:15

本文选题：道教太极图 + 体圆和　；参考：《西南民族大学学报(人文社科版)》2008年12期

【摘要】：本文用道教太极图阐释琵琶艺术"体圆和"演奏态的理论根据及哲学内涵,道教太极图用圆圈代表"道"循环往复的运行轨迹,与琵琶艺术的基本、最佳"体圆"演奏态完全吻合;道教太极图黑白两条阴阳鱼头尾交接,妙合相凝解释了琵琶技艺的两种肌肉状态放松——用力——放松的循环往复运动过程;道教太极图中划分并连接阴阳界限的"S"线也准确的阐释了琵琶艺术中的"S"线型游动问题。
[Abstract]:This paper uses Taoist Taiji diagram to explain the theoretical basis and philosophical connotation of the performance state of "body circle" in pipa art. The circle is used to represent the running track of "Tao" cycle, and the basic art of pipa. The best "body circle" performance state is in perfect agreement; Taoist Taiji diagram of black and white two yin and yang fish head and tail, the combination of the two muscle state explain the pipa skill relaxed-force-relaxation cycle reciprocating movement process; The "S" line, which divides and connects Yin and Yang in Taoist Taiji figure, also accurately explains the "S" line swimming problem in pipa art.
【作者单位】：四川大学音乐系;中国社会科学院;
【分类号】：J632.33

【二级参考文献】