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武宁“打鼓歌”的考察与研究

发布时间:2018-04-30 12:28

  本文选题:武宁 + “打鼓歌” ; 参考:《西安音乐学院》2008年硕士论文


【摘要】: 武宁“打鼓歌”作为田歌的一种,具有田歌的共性,同时因其产生的自然环境和人文环境的不同,它又有其自身独特的魅力,是劳动人民在集体性农业生产中创造的一种精神文化。 在“打鼓歌”的鼓形态特征中,鼓师傅用唯一的伴奏乐器鼓,通过其不同的鼓点节奏来调动整个劳动氛围、鼓动人们的劳动情绪,将一天的农作安排的井然有序,充分发挥了武宁“打鼓歌”最本质的社会作用——“催工”,当地鼓师傅形容其为:“一鼓催三工”;在它的歌形态特征中,鼓师傅将不同类型的唱词、极具有地方色彩的旋律及节奏节拍和速度的变化通过联曲体的形式逐步展开演唱,这不仅调动了劳动者的积极性,消除了劳动过程中的疲惫感,也充分体现了劳动者在创造物质食粮的同时,进一步创造和享受精神食粮的集体智慧。 如今,武宁“打鼓歌”的依附体——集体性的劳动在逐渐消失,武宁“打鼓歌”的承载者——鼓师傅也面临着尴尬的处境。武宁“打鼓歌”已无处发挥它的本质作用——“催工”,从这点上来看,它已失去了其存在的价值。但我们知道它是武宁当地祖祖辈辈传承下来的一种精神食粮,蕴含着武宁当地人民特有的文化素养和艺术追求,是赣北地区传统音乐文化的重要组成部分。所以作为我国传统音乐文化的重要组成部分,我们应积极地去保护它,将其合理地传承和发展下去。
[Abstract]:As a kind of Tian Ge, Wuning's "Drum Song" has the commonness of Tian Ge. At the same time, it has its own unique charm because of its different natural and humanistic environments. It is a kind of spiritual culture that laboring people create in collective agriculture production. In the drum form characteristic of "Drum Song", the drum master uses the only accompaniment instrument drum, through its different drum rhythm to arouse the entire labor atmosphere, to encourage the people's labor mood, will one day's farming arrangement is in perfect order, Wuning played the most essential social role of "playing drum songs"-"urging work". The local drummer described it as "one drum and three works," and in its song form, the drum master would sing different types of words. The changes in melody, rhythm, rhythm and speed, which are extremely local in color, are performed step by step through the form of a combined body, which not only arouses the enthusiasm of the laborer, but also eliminates the feeling of fatigue in the process of labor. It also fully embodies the collective wisdom of workers to create and enjoy spiritual food while creating material food. Nowadays, the attachment of Wuning's Drum songs-collective labor is gradually disappearing, and the bearer of Wuning's Drum songs is also in an awkward situation. Wuning's Drum Song has no place to play its essential role-"rush work", from this point of view, it has lost its value of existence. But we know that it is a spiritual food which has been passed down by Wuning for generations and contains the unique cultural literacy and artistic pursuit of the local people in Wuning. It is an important part of the traditional music culture in northern Jiangxi. Therefore, as an important part of Chinese traditional music culture, we should actively protect it and develop it reasonably.
【学位授予单位】:西安音乐学院
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J607

【引证文献】

相关期刊论文 前2条

1 戴晓敏;石米;;赣北打鼓歌起源探析[J];大众文艺;2011年15期

2 戴晓敏;石米;;赣北武宁打鼓歌现状及应对策略[J];艺海;2011年08期



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