二十世纪复调织体的宏观处理

发布时间：2018-05-12 07:13

本文选题：宏观处理 + 微观处理　；参考：《上海音乐学院》2008年硕士论文

【摘要】： 二十世纪现代音乐中,超多声部复调现象正逐渐引起学术界的关注,不同研究视角下的理论、概念相继出现。通过对相关文献的搜集、整理与研究,笔者认为超多声部复调结构的运用相对于微观处理技术而言是一种独立的复调处理手法。虽然二者都是以建立整体性音响效果为美学目的,但在技术特征、思维重心等诸多方面存在一定的反向关系。为体现这两种复调处理技术的关联性与反向性,本文从技术构成的角度,把这类在整体上不体现微观处理技术特征或者仅仅是局部依赖微观处理技术的超多声部复调结构的运用,归结为“复调织体的宏观处理”。这是一种以强化音乐中各种音响成分的同时性、多样性、对抗性以及织体外部形态扩展为基础的新型现代复调技法。它是复调思维——“对抗律”的极端化表现形式。本文主要从历史形成、技术特征以及与微观处理的关系,这三个方面对复调织体的宏观处理技术进行探讨与研究。
[Abstract]:In modern music in the 20th century, hyperpolyphonic polyphonic phenomenon is gradually attracting the attention of the academic community, and theories and concepts from different research perspectives have emerged one after another. Through the collection, collation and study of relevant documents, the author thinks that the application of polyphonic structure is a kind of independent polyphonic processing technique compared with micro-processing technology. Although both aim is to establish the overall sound effect, there is a certain reverse relationship in many aspects, such as the technical characteristics, the center of thought and so on. In order to reflect the relevance and reversibility of these two polyphony processing techniques, this paper, from the point of view of technical composition, The application of this kind of super-polyphonic structure which does not reflect the characteristics of micro-processing technology or is only partially dependent on micro-processing technology is reduced to "macroscopical processing of polyphonic texture". This is a new modern polyphonic technique based on the enhancement of the synchronism, diversity, antagonism, and the outward shape of the texture. It is the extreme manifestation of polyphonic thinking-the Law of confrontation. In this paper, the macroscopical processing technology of polyphonic texture is discussed and studied from three aspects: historical formation, technical characteristics and the relationship with micro-processing.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J614

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