唐代筝乐研究

发布时间：2018-05-26 14:08

本文选题：唐代 + 筝乐　；参考：《湖南师范大学》2007年硕士论文

【摘要】： 唐代的筝乐是唐代音乐文化的重要组成部分，是古人留下的一笔珍贵文化遗产，具有很高的艺术价值与学术研究价值。从唐代音乐研究的现状来看，涉及唐代筝乐研究的论著颇多，但是专门针对唐代筝乐进行研究的甚少。本文以“唐代筝乐”为研究对象，从形制、演奏家、筝曲等方面入手，运用文献学、考古学、图像学等方法对唐代筝乐进行全面的梳理和描述。本文分为五章：第一章，收集整理有关唐代筝乐的论文和专著，从筝的形制、演奏技巧、筝谱、筝乐审美等方面，对二十世纪以来关于唐代筝乐的研究成果作一综述。第二章，以唐前文献为基础，从古人对筝的起源、形制及其象征意义等方面，对唐代以前的筝乐作一概述。第三章，介绍唐代筝乐的概况。运用文献学、图像学、考古学相结合的研究方法，从三个方面进行论述：一、以传世文献为基础，，概括唐代筝乐的流行情况及形制。二、结合考古出土实物进行分析。三、以敦煌壁画为研究对象，将其分类列表进行比较研究。从另一侧面立体地展现唐代音乐文化所取得的成就。第四章，以演奏为主体，尽可能全面地展示筝乐在唐代音乐活动中的本来面貌，并充分体现这一艺术形式对我国民族文化产生的重大影响。本章分为三部分：一、以唐代文献记载为基础，将筝乐的演奏形式分为独奏、合奏和大型乐队演奏三种类型进行研究。二、以日本藤原师长收集唐传筝曲编订的《仁智要录》为基本资料，对其中记载的技法进行陈述，并对唐代文献中记录的筝乐演奏技法进行整理，结合现代指法加以分析。三、全面梳理唐代文献中有关唐代筝人的记录，以求立体展现作为唐代筝乐演奏与传播主体的演奏者的全貌。第五章，从乐器专史的角度对唐代筝乐的乐谱和乐曲进行探讨。本部分充分借鉴目前学术界有关《仁智要录》的研究成果，对唐代筝谱进行分析并对筝曲进行曲调溯源与考证。
[Abstract]:The zither music of the Tang Dynasty is an important part of the music culture of the Tang Dynasty. It is a precious cultural heritage left by the ancient people. It has high artistic value and academic research value. From the present situation of the study of the Tang Dynasty music, there are many works on the study of the Tang Dynasty zither music, but the study of the Tang Dynasty Zheng music is very few. This article is "Tang Dynasty" Zither music as the research object, from the form, the performers, the zither music and other aspects, the use of literature, archaeology, image and other methods of the Tang Dynasty Zheng music comprehensive carding and description.
This article is divided into five chapters.
In the first chapter, the papers and monographs about the Tang Dynasty zither music are collected and collated. From the form of the Zheng, the playing skills, the zither spectrum, the zither music aesthetic and so on, the research achievements of the Tang Dynasty zither music since the twentieth Century are reviewed.
The second chapter, based on the literature before Tang Dynasty, summarizes the zither music before the Tang Dynasty from the origin, form and symbolic meaning of the ancients.
The third chapter introduces the general situation of the zither music in the Tang Dynasty. Using the research methods of bibliography, iconography and archaeology, this paper discusses the following three aspects: first, based on the literature of the world, the epidemic situation and the form of the Tang Dynasty Zheng music are summarized. Two, combined with the archaeological unearthed objects. Three, the Dunhuang mural is the research object, and the classification list is put into the list. A comparative study is carried out to show the achievements of music culture in the Tang Dynasty from another aspect.
The fourth chapter, taking performance as the main body, shows the original appearance of the zither music in the music activities of the Tang Dynasty as comprehensive as possible, and fully embodies the great influence of this art form on our national culture. This chapter is divided into three parts: first, the form of the music is divided into solo, ensemble and large band playing on the basis of the literature of the Tang Dynasty. The three types are studied. Two, the Japanese Fujiwara master collects the zither zither compilation of the Tang zither music book as the basic material, and states the techniques recorded in it, and collects the music performance techniques recorded in the Tang Dynasty and combines the modern fingering method. Three, the records of the Tang Dynasty Zheng people in the literature of the Tang Dynasty are completely combed, so that the records of the Tang Dynasty Zheng people are completely combed. The three-dimensional appearance is the panorama of the performance of the zheng music player in the Tang Dynasty.
The fifth chapter, from the perspective of the special history of musical instruments, discusses the music music and music of the Tang Dynasty. This part fully draws lessons from the research achievements of the present academic circles about the "Yan Zhi Lu", analyzes the Zheng spectrum in the Tang Dynasty and traced the tune and textual research of the zither music.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J632.32

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