僮子戏音乐研究

发布时间：2018-06-08 19:19

本文选题：僮子祭祀 + 执事　；参考：《南京师范大学》2007年硕士论文

【摘要】： 僮子戏是源于远古巫觋祭仪，，后渐独立成为戏曲音乐的一种特殊音乐品种。现多改称“通剧”，主要流行于中国江苏省南通市及南通、如皋、如东等县作为地方性很浓的民间音乐品种，僮子戏具有其独特的历史发展轨迹、音乐风格特征和艺术价值，在南通乃至江苏省民间艺术史上具有不可忽视的价值和地位。本文以前人的研究成果和笔者的实地考察为基础，着重从以往研究空白环节的音乐学角度，并综合运用民族音乐学、音乐史学、宗教学、文化学等多学科的理论知识与方法，对僮子祭祀仪式戏曲音乐元素、音乐形态风格特征以及僮子戏在中国戏曲音乐史上的特殊位置等方面作了较系统深入的研究。全文分为导论及四章：导论主要论述已有的研究现状及本文的主要研究任务等。第一章历史发展轨迹及其文化背景考察。旨在研究僮子戏历史沿革和规律的基础上，分析其发展轨迹所由形成的文化背景因素。第二章僮子祭祀执事与戏曲音乐。分析僮子戏祭祀执事的实例并着重探究其中所包含的戏曲音乐因素，仪式与戏曲音乐之关系以及戏曲音乐从中脱胎独立的过程和原因。第三章僮子戏的构成要素及基本特征。重在从音乐学角度，基于笔者田野调查资料的分析，对构成僮子戏的各个要素进行较细致地剖析，展现其整体面貌，认识其个性特征。第四章僮子戏音乐审美特征研究。对僮子戏音乐的审美形态、风格特征进行深入完整的探究和描述。
[Abstract]:Tongzi Opera originated from ancient sorcery sacrificial rites and gradually became a special musical variety of opera music. Now it has been renamed "Tong Opera", mainly popular in Nantong City and Nantong City, Jiangsu Province, China, Rugao, Rudong and other counties as a very local folk music variety. Tongzi Opera has its unique historical development track, musical style characteristics and artistic value. In the history of folk art in Nantong and even Jiangsu Province, it has an unnegligible value and position. Based on the previous research results and the author's on-the-spot investigation, this paper focuses on the musicology of the blank links in the past. And comprehensive use of ethnomusicology, music history, religious education, culturology and other multi-disciplinary theoretical knowledge and methods, to the child sacrifice ritual opera music elements, The characteristics of music form and style and the special position of Tongzi Opera in the history of Chinese opera music are studied systematically and deeply. The full text is divided into introduction and four chapters: the introduction mainly discusses the existing research status and the main research tasks of this paper. On the basis of studying the historical evolution and law of Tongzi Opera, this paper analyzes the cultural background factors of its development track. Chapter two is about offering sacrifices to deacons and opera music. This paper analyzes the examples of offering sacrifices to deacons in Tongzi Opera, and probes into the musical elements of opera, the relationship between ritual and opera music, and the process and reason for the birth of opera music. Chapter three, the constituent elements and basic characteristics of Tongzi Opera. From the point of view of musicology, based on the analysis of the author's field investigation data, this paper makes a more detailed analysis of the elements that make up the play, shows its overall appearance, and recognizes its personality characteristics. Chapter four is the study of the aesthetic characteristics of the music of the Tongzi Opera. This paper explores and describes the aesthetic form and style characteristics of the music of Tongzi Opera.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J617.5

【参考文献】