音乐理解现象研究

发布时间：2018-06-09 11:54

本文选题：理解 + 语言　；参考：《南京艺术学院》2008年博士论文

【摘要】： 音乐理解是如何可能的?是要尝试回答音乐理解活动的发生、过程及结论。所谓“理解”就是寻找因果关系。现象学从实事本身出发的研究方法表明,音乐感性现象是音乐理解活动发生的本源,理解主体的内在条件是理解活动得以产生的基础,这个内在条件即由感性、知性和理性既相互区别又相互渗透的认知能力,音乐语言的表象与生活经验中的表象这两者之间的关系质,使理解成为可能;而这种关系质的核心就是格式塔质(Gestalqualit?t)。格式塔(Gestalt)就是有意味的形式。理解的目的服从于人的有利生存原则。音乐语言的表象与生活经验的表象的相似性,使“唤醒”成为可能。音乐语言的表象即直观形态的观念,所唤醒的正是人对生活经验中的表象的记忆。这种记忆不仅与主体的类似的生活经验相关,而且与人生在世的筹划紧密联系,这就是音乐语言的所指意义——包括语义学意义的再现意义和表现意义,它们分别构成音乐语言所指意义的两个层次。音乐语言的能指意义就是它的形式美,这是音乐语言第三个层次的意义,它不仅指向创作主体的能力和才华,而且与音乐语言的所指意义浑然一体。音乐理解在普遍性、特殊性、个别性三个层次存在。当音乐理解活动达到普遍性和特殊性层次,也即“类加种差”的范围之内,便形成理解的主体间性(inter-subjectivity),检验主体间性是否与音乐文本相符合的标准,取决于音乐文本的历史发展性,即历史视界与现实视界的融合的准确度,它是历史、逻辑、工艺学三个层面的有机结合。研究理解现象的目的,在于协同体验能力的发展,理解与体验二者正是在相互作用中得到真正的发展的。
[Abstract]:How is it possible to understand music? It is to try to answer the occurrence, the process and the conclusion of the music comprehension activity. Understanding is looking for causality. The research method of phenomenology from the point of view of reality itself shows that the perceptual phenomenon of music is the origin of music understanding, and the inner condition of understanding subject is the basis of understanding activity, which is the inner condition of sensibility. The cognitive ability, which distinguishes and penetrates each other between knowledge and reason, and the relationship between the representation of musical language and the representation in life experience makes it possible to understand, and the core of this relationship is the Gestalqualitt of Gestalt. The Gestalt is a meaningful form. The purpose of understanding is to conform to the principle of favourable survival for human beings. The similarity between musical language representation and life experience makes arousal possible. The appearance of musical language is the concept of visual form, which awakens the memory of life experience. This kind of memory is not only related to the subject's similar life experience, but also closely related to the living plan of life, which is the meaning of musical language-including the meaning of reproduction and expression of semantic meaning. They constitute two levels of meaning in musical language. The signifier meaning of music language is its beauty of form, which is the third level meaning of music language. It not only points to the ability and talent of the creative subject, but also integrates with the meaning of music language. Music understanding exists at three levels: universality, particularity and individualism. When music comprehension activities reach the level of universality and particularity, that is, "category plus species difference", inter-subjectivity of understanding is formed to test whether inter-subjectivity conforms to the standard of music text. It depends on the historical development of the musical text, that is, the accuracy of the fusion of the historical horizon and the realistic horizon. It is an organic combination of the three levels of history, logic and technology. The purpose of studying the phenomenon of understanding lies in the development of the ability of cooperative experience.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2008
【分类号】：J609.2

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