陈澧《声律通考》整理与研究

发布时间：2018-06-14 11:50

本文选题：声律通考 + 点校　；参考：《中国艺术研究院》2007年硕士论文

【摘要】： 《声律通考》十卷，为清代陈澧撰写的一部重要的乐律学著作。该书以匡凌廷堪《燕乐考原》之谬为写作出发点，论述了律、调、谱、器等多方面的内容。书中有关荀勖笛律的研究，运用复制试验的方法，开创了的笛律研究的新途径。有关燕乐二十八调的论述，则以凌廷堪四宫七调说为主，做了多方面的修正，从而成为清代四宫七调说的又一主要代表。但是，，目前对《声律通考》的研究仅为部分研究，缺乏系统的整理。由此，本文在前人研究的基础上，对《声律通考》进行全面的点校整理，以期为古代乐律学文献的整理贡献绵薄之力。本文主要分两部分，一为绪论，论述《声律通考》的版本和基本内容。一为全文校释。
[Abstract]:The ten volume of sound law examination is an important book of music written by Chen Li in the Qing Dynasty. The book starts from the absurdity of Kao Yue Kao in Kuang Ling Ting, discusses the contents of law, tone, spectrum, and apparatus. The study of Xun Gong flute in the book and the method of replicating experiments have created a new approach to the study of the law of flute. Twenty The discussion of the eight tones is based on the seven tones of the lingting four palace and has made many amendments, thus becoming another major representative of the seven tone of the four palace in the Qing Dynasty. In order to contribute to the collation of ancient temperament literature.
This article is mainly divided into two parts, one is the introduction, which discusses the version and the basic content of the "general rules of law".
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J612.1

【引证文献】