西方音乐美学史上的两次重大转折:卢梭与尼采

发布时间：2018-06-15 22:21

本文选题：音乐美学 + 浪漫主义　；参考：《湖北社会科学》2008年07期

【摘要】：浪漫主义音乐和现代主义音乐是西方音乐文化史上的两个重要时期。浪漫主义之父卢梭的一些音乐美学思想可以看作是西方音乐美学从古典主义向浪漫主义音乐美学转变的一种过渡形态。正是卢梭在继承西方古典主义音乐美学的基础上进行了新的突破,从而为浪漫主义音乐美学奠定了思想基础。同样,审美现代主义之父尼采的音乐美学思想也可以看作是浪漫主义音乐文化向现代主义音乐文化转变的一个转折点,正是尼采在继承浪漫主义音乐美学思想的基础上,创立了审美现代主义的音乐美学思想,从而为现代主义音乐文化的产生奠定了思想基础。因此,从这个意义上来说,卢梭和尼采可以看作是西方音乐美学史上的两个重要转折点。
[Abstract]:Romantic music and modernist music are two important periods in the history of western music culture. Some of Rousseau's musical aesthetics thought of the father of romanticism can be regarded as a transition form of western music aesthetics from classicism to romantic music aesthetics. It is on the basis of inheriting the western classical music aesthetics that Rousseau has made a new breakthrough, thus laying the ideological foundation for romantic music aesthetics. Similarly, Nietzsche's musical aesthetics thought of the father of aesthetic modernism can also be regarded as a turning point in the transition from Romantic music culture to modernist music culture. It is Nietzsche who inherits the romantic musical aesthetic thought. Created the aesthetic modernism music aesthetics thought, thus laid the thought foundation for the modernism music culture. Therefore, in this sense, Rousseau and Nietzsche can be regarded as two important turning points in the history of western music aesthetics.
【作者单位】：华中师范大学音乐学院湖北经济学院社会科学系
【分类号】：J601

【共引文献】