赣南客家祭祖的音乐文化人类学研究
发布时间：2018-07-14 10:14
【摘要】： 宗族祭祖是我国古老的四大礼俗“冠婚丧祭”之一。江西省赣州市客家人聚居区是目前我国保持这一礼俗最隆重的地区,其宗族祭祀活动至今普遍盛行于当地的村村店店。该仪式行为是我们探究客家地区文化的重要窗口,也是我们研究当地民间音乐重要的途径。 本文以石城县长溪村赖氏祭祖和于都县寒信村萧氏祭祖为例,立足于音乐人类学的研究视角,详细记录两个个案的仪式过程;通过历时性和共时性的比较,探讨仪式及与之相关行为存在的深层原因;通过对民间艺人的采录,建构民间艺人知识体系中的音乐行为模式;通过对音乐本体的分析,揭示音乐与仪式的内在联系,阐述音乐如何在仪式中发挥其特殊的社会和文化功能;最后提出,构成仪式的每一样事物都彰显出一个宗族强大凝聚力的文化内核。
[Abstract]:Ancestral worship is one of the four ancient rituals and customs in China. Ganzhou Hakka settlement area in Jiangxi Province is the most ceremonious area in our country at present. Its clan sacrifice activities are prevalent in the local village and village shop up to now. The ritual behavior is an important window for us to explore Hakka culture and an important way for us to study local folk music. Taking Lai's ancestors of Changxi Village in Shicheng County and Xiao's ancestors of Hanxin Village in Yudu County as examples, based on the perspective of musical anthropology, this paper records in detail the ritual process of the two cases, and through diachronic and synchronic comparison, This paper discusses the deep reasons for the existence of rituals and related behaviors; constructs the musical behavior patterns in the knowledge system of folk artists by recording folk artists; through the analysis of music Noumenon, reveals the internal relationship between music and ritual. This paper expounds how music exerts its special social and cultural functions in ritual, and finally points out that every thing constituting ritual shows a strong cohesive cultural core of clan.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J607
本文编号：2121325
[Abstract]:Ancestral worship is one of the four ancient rituals and customs in China. Ganzhou Hakka settlement area in Jiangxi Province is the most ceremonious area in our country at present. Its clan sacrifice activities are prevalent in the local village and village shop up to now. The ritual behavior is an important window for us to explore Hakka culture and an important way for us to study local folk music. Taking Lai's ancestors of Changxi Village in Shicheng County and Xiao's ancestors of Hanxin Village in Yudu County as examples, based on the perspective of musical anthropology, this paper records in detail the ritual process of the two cases, and through diachronic and synchronic comparison, This paper discusses the deep reasons for the existence of rituals and related behaviors; constructs the musical behavior patterns in the knowledge system of folk artists by recording folk artists; through the analysis of music Noumenon, reveals the internal relationship between music and ritual. This paper expounds how music exerts its special social and cultural functions in ritual, and finally points out that every thing constituting ritual shows a strong cohesive cultural core of clan.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J607
【引证文献】
相关博士学位论文 前1条
1 何巧云;清代徽州祭祖研究[D];安徽大学;2010年
相关硕士学位论文 前1条
1 李臻;广西博白客家“做斋”仪式音乐研究[D];广西艺术学院;2011年
，本文编号：2121325
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