当前位置:主页 > 文艺论文 > 音乐技术论文 >

1980年以来中国流行歌曲小型乐队伴奏配器形态研究

发布时间:2018-07-16 11:53
【摘要】: 流行歌曲的构成要素诸多,其伴奏配器是其中重要的一部分,它是一首歌曲诉诸演唱前的再创作,是塑造音乐形象不可缺少的重要环节,是表情达意的重要手段之一。流行歌曲通过伴奏配器环节的创作,其艺术构思、音乐形象、伴奏织体等丰富的内涵、将会得到更加完美地体现。1980年以后,随着时代的进步、科技的发展、人们的审美观念和标准的改变,我国流行歌曲伴奏的配器形态也与时俱进,日新月异。不同类型的流行歌曲有不同的伴奏配器形态,同一流行歌曲在不同历史时期也有不同的伴奏配器形态,本文通过对1980年以后的中国流行歌曲伴奏配器形态的分析与研究,梳理出我国不同形态、风格的流行歌曲伴奏配器形态的特点以及我国不同历史时期流行歌曲伴奏配器形态的发展与演变,理性地认识流行歌曲伴奏配器在改革开放这一中国社会发展中极其重要的历史时期的音乐本体特征。 把对流行歌曲伴奏配器形态的研究放在我国流行音乐的发展历史过程中来考察,从音乐形态学和音乐分析学的角度对流行歌曲伴奏配器形态进行理论分析,在具体的分析与研究过程中运用比较学的方法对不同风格流行歌曲伴奏配器形态进行比较分析,用历史的观点分析不同时期的流行歌曲伴奏配器形态的发展与演变。搜集大量已有专著、论文以及我国不同历史时期、不同风格流行歌曲的具有代表性意义的音响资料、曲谱,在具体的分析与研究过程中,通过听记搜集到的流行歌曲音响资料及分析曲谱,总结出这一时期流行歌曲伴奏配器形态的基本规律和特征。
[Abstract]:The accompaniment orchestration is an important part of popular songs. It is the re-creation of a song before it is used to sing. It is an indispensable important link in shaping the musical image and one of the important means of expressing the meaning. Through the creation of accompaniment orchestration, the rich connotations of pop songs, such as artistic conception, musical image and accompaniment texture, will be more perfectly embodied. After 1980, with the progress of the times and the development of science and technology, With the change of people's aesthetic concept and standard, the orchestration of Chinese pop song accompaniment also keeps pace with the times and changes with each passing day. Different types of pop songs have different accompaniment orchestration forms, and the same pop songs have different accompaniment patterns in different historical periods. This paper analyzes and studies the patterns of Chinese pop songs accompaniment orchestration after 1980. Combing out the characteristics of Chinese pop song accompaniment orchestration in different forms and styles, as well as the development and evolution of pop song accompaniment orchestration in different historical periods in China. A rational understanding of the musical Noumenon characteristics of pop music accompaniment orchestration in the reform and opening up, which is an extremely important historical period in the development of Chinese society. The research on the form of the accompaniment orchestration of pop songs is studied in the course of the development of Chinese pop music, and the theoretical analysis of the orchestration of the accompaniment of pop songs is carried out from the angle of music morphology and music analysis. In the process of concrete analysis and research, the comparative method is used to compare and analyze the forms of accompaniment orchestration of different styles of pop songs, and the development and evolution of orchestration forms of popular songs in different periods are analyzed from the historical point of view. Collect a large number of existing monographs, papers, as well as representative audio materials and music compositions of different historical periods and different styles of pop songs in our country, in the specific analysis and research process, The basic rules and characteristics of the orchestration of pop song accompaniment in this period are summarized by means of the audio data collected from the listening notes and the analysis of the composition of the music.
【学位授予单位】:南京航空航天大学
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:J62

【参考文献】

相关期刊论文 前10条

1 杨海军;谈电脑音乐中的伴奏配器功能[J];当代戏剧;2003年05期

2 徐文正;谈20世纪音乐中对音色的独特追求[J];衡水师专学报;2001年04期

3 倪璐;;浅谈德彪西管弦乐作品中的配器手法[J];河南教育学院学报(哲学社会科学版);2006年02期

4 杨熠;;谈MIDI音乐中的歌曲伴奏配器[J];洛阳师范学院学报;2005年06期

5 陈志昂;流行音乐批判[J];音乐研究;1989年04期

6 陈志昂;流行音乐再批判[J];人民音乐;1990年05期

7 王思琦;“流行音乐”的概念及其文化特征[J];音乐艺术(上海音乐学院学报);2003年03期

8 施依秀;现代城市与流行音乐文化[J];音乐艺术(上海音乐学院学报);2003年03期

9 王世安;谈计算机音乐中合成器、音源内的预置音色[J];苏州大学学报(工科版);2004年03期

10 张馨洁;略论电脑音乐配器[J];沈阳师范大学学报(社会科学版);2003年03期



本文编号:2126307

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yinyuetheory/2126307.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户cb7c8***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com