试论现代歌词的文体特征
发布时间:2018-07-21 21:12
【摘要】:现代歌词作为抒情文类之一种,其文体特征总体上类同于"书写—阅读"式的诗歌,但其艺术生成却是通过谱曲并以人声为传播媒介,以听觉为接受方式。音乐、人声等的介入,又使歌词呈现出有别于"书写—阅读"式诗歌的特征,具体表现为文本生成的非独立性和文本形态的开放性;此外,接受方式上的"直面相向"的特点,使歌词的文本生成与接受语境之间形成一种显豁的共生共谋关系。
[Abstract]:As a kind of lyric, modern lyric has the same stylistic characteristics as "writing-reading" poetry in general, but its artistic generation is through composing music and using human voice as the medium of communication and hearing as the receiving way. The intervention of music, voice and so on makes the lyrics appear different from the "writing-reading" poetry, which is embodied in the non-independence of the text generation and the openness of the text form, in addition, the reception mode is characterized by "facing each other". To form an explicit symbiotic collusion relationship between the text generation and reception context of the lyrics.
【作者单位】: 西华师范大学文学院;
【分类号】:J614.9
[Abstract]:As a kind of lyric, modern lyric has the same stylistic characteristics as "writing-reading" poetry in general, but its artistic generation is through composing music and using human voice as the medium of communication and hearing as the receiving way. The intervention of music, voice and so on makes the lyrics appear different from the "writing-reading" poetry, which is embodied in the non-independence of the text generation and the openness of the text form, in addition, the reception mode is characterized by "facing each other". To form an explicit symbiotic collusion relationship between the text generation and reception context of the lyrics.
【作者单位】: 西华师范大学文学院;
【分类号】:J614.9
【共引文献】
相关期刊论文 前10条
1 徐敏;大众文化的快感理论:从美学到政治经济学[J];北京电影学院学报;2004年01期
2 王s,
本文编号:2136873
本文链接:https://www.wllwen.com/wenyilunwen/yinyuetheory/2136873.html